‘What Next?’ an Uncertain Art World Asks, Sticking to Proven Brands

LONDON — The art market is almost as old as art itself. But it’s only in the last decade or so, with increased globalization, digitization and the rise of art as a multibillion-dollar investment vehicle, that the market has been viewed as an industry. And where there is industry, conferences are sure to follow. On […]

Recent London Gallery Closures Show Struggle at Art Market’s Middle

Ever since the global financial crisis of 2008 and the art market’s subsequent decline a year later, the middle market has come under increasing pressure. According to economist Clare McAndrew’s Art Market | 2017 report, the middle market—defined for dealers as works priced between $5,000 and $50,000—is the “most difficult segment” in which to operate. […]

Odd Man in: The Sculptor Robert Morris, at 86, Is Still Blazing Trails

During his long, illustrious career, Robert Morris has constructed sculptures that startle, question, challenge and flout expectations. Since the early 1960s, he has made, in a range of materials, spare, geometric forms; Dada-like objects; ephemeral works; land art; environments with sound systems that play scripted narratives; proto-selfies; dramatic pastel pictures with elaborate sculpted frames; performance […]

The Controversial Artist Who Just Won’t Go Away

Julian Schnabel has occupied many roles through the years: the default figurehead of the star-studded 1980s art world; the fall guy for that era’s particular brand of monied hedonism; an Academy Award-nominated filmmaker; for some, the greatest painter of his time — and others, the most overrated. He’s experienced ups and downs with critical and […]

Why the Upper East Side Is the Best Place to See Art in New York

Artspace Article Published: April 3, 2016: Stretched out alongside the east flank of Central Park like a satisfied cat lying in the sun, the Upper East Side—longtime home to tycoons and celebrities—is still the most luxe neighborhood in New York City, where foreign billionaires plant their money in $100 million manses and ridiculous trend stories […]

Welcome to the Garden of Forking Paths: Ed Winkleman on How to Navigate the Art Industry’s Strange New Landscape

There’s no question that contemporary art galleries are struggling these days. The market is sluggish, the essential handshake-based rules of the art trade are being confused by the proliferation of artworks on the internet, and, at the same time, competition for artists and a globalizing terrain are forcing dealers to take on more costs by […]

Why the ‘Uber effect’ is proving elusive for online platforms

Barely a month goes by without the launch of an online initiative that aims to disrupt the art market and bring the “Uber and Airbnb effect” to art transactions. But witness the crowds pacing the aisles at a big-league art fair, or spilling out of the salesrooms during the evening auctions, and the impact of […]

How the Artist Adrian Ghenie Became an Auction Star

Many say it was the 2011 exhibition at the Palazzo Grassi museum in Venice that first ignited art buyers’ interest in a young Romanian artist named Adrian Ghenie, whose heavy palette-knife paintings are haunted by historical figures like Stalin, Hitler and the Nazi doctor Josef Mengele. Then, in 2015, Mr. Ghenie drew more attention when […]

The Middle Market Squeeze, Part II: Galleries Get a Reality Check

Every age gets the kind of gallery it deserves. In August of 2015, ex-gallerist, private dealer, art fair director, and author Ed Winkleman published his second book on contemporary art galleries in six years. Titled Selling Contemporary Art: How to Navigate the Evolving Market(Allworth Press), the book provides what an Amazon online review calls an […]

Clean, Well-Lighted Places: On Our Nostalgia for the Golden Age of Art Dealing

The notion that collectors sit atop the hierarchy of today’s art world is axiomatic. They build private museums and control the boards of traditional ones. Through their acquisitions, they determine the fates of artists, and often overshadow curators, historians, and critics—all those ink-stained intellectuals who used to play a larger role in determining art’s value. […]

For Art Dealers, the Place to Be Is Still London

These are early days, but the Hieronymus Bosch vision of a socioeconomic apocalypse that many feared would follow Britain’s June 23 vote to leave the European Union has yet to materialize.  True, the pound has lost about 10 percent of its value against other major currencies, and a huge amount of political uncertainty still remains, […]

Britain’s Top 50 Galleries You Should Know (and Visit)

artnet News picks the top of the crop in the UK.

Europe’s Top 55 Galleries You Need To Know—Part 1

From Athens to Zurich, here are the European galleries.  Part 1

ArtList, Startup for the Art World, Closes Shop Just as It Was Gearing Up

ArtList, an online platform for anonymous secondary market sales of art, is ceasing operations. In June, during the week of Art Basel, a British art appraisal company was set to sign a deal to acquire the New York-based start-up but it went awry on the very day that it was meant to be signed. The […]

The Art of Larry Gagosian’s Empire

“CAN WE QUICKEN this up?” It’s lunchtime in New York and Larry Gagosian is hungry. It’s time for supper—or at least aperitifs—in Europe, where he recently did a three-week working tour of France, England, Germany and Switzerland, and it’s breakfast in Los Angeles, where last week he hosted his annual pre-Oscars opening at his Beverly […]

Art Galleries Face Pressure to Fund Museum Shows

Galleries have always provided scholarly support for museums exhibiting their artists’ work.  Now they’re expected to provide money, too. In today’s exploding art market, amid diminishing corporate donations and mounting exhibition costs, nonprofit museums have been leaning more heavily on commercial galleries for larger amounts of money — anywhere from $5,000 to $200,000 each time […]

The unspoken reason why galleries are flocking to Los Angeles

Galleries like Sprüth Magers and Hauser Wirth & Schimmel quietly but fiercely compete for the city’s artists. The grand openings of the Los Angeles branches of European galleries Sprüth Magers and Hauser & Wirth (called Hauser Wirth & Schimmel), on 23 February and 13 March respectively, are sure to generate even more buzz about the […]

One-Two Punch: The Rise of Joint Representation has Dealers Sharing Artists All The Way to the Bank

If a collector wanted to buy a Frank Stella at Art Basel Miami Beach last December, he could have walked up to the booth of New York’s Marianne Boesky Gallery, which represents Frank Stella. Or, he could have walked up to the booth of London and New York gallery Dominique Lévy, which also represents Frank Stella. […]