Antony Gormley Celebrated With Royal Academy Solo Show

In September 2019, the Royal Academy of Arts will present a solo exhibition of the internationally acclaimed British sculptor Antony Gormley (b. 1950), the most significant in the UK for over a decade. The exhibition will bring together both existing and specially conceived new works for the occasion, from drawings and sculptures to experiential environments, […]

‘Jean-Michel Basquiat’ at the Brant Shows His Bifurcated Life

A few years ago, a plaza in Paris was named after the artist Jean-Michel Basquiat, the Brooklyn-born painter who became a global sensation in the early 1980s and died at 27 of a heroin overdose. No similar honor has been bestowed upon Basquiat by the City of New York. However, the opening of the Brant Foundation Art […]

We’ve Been Looking at Jean-Michel Basquiat All Wrong. He Was a Conceptual Artist, Not an Expressionist—and Here’s Why

An exhibition at the Brant Foundation’s New York space reveals how much he had in common with Jenny Holzer and Hans Haacke. Over the years, the biggest fans of Jean-Michel Basquiat have had a strange way of showing their affection: They’ve just about drowned him and his work in tired romantic clichés. He’s supposed to be a […]

Brant Foundation Opens Its New Manhattan Space with a Basquiat Bang

The East Village edifice—a former power substation and studio of contemporary artist Walter De Maria—was renovated by architects Gluckman Tang “[Jean-Michel] Basquiat did most of his painting in a ten-block radius of here,” says the founder of the Brant Foundation, Peter Brant, gesturing out the large plate glass windows of the foundation’s new East Village […]

Jasper Johns Stays Divinely Busy

A gallery exhibition in Manhattan gives the truest picture of the artist, at 88, who is continuing to work and innovate. At 88, Jasper Johns is not slowing down. After spending more than six decades cultivating an extensive and influential body of work, he continues to be relentlessly productive and inventive. His art has sometimes been […]

Meet Warhol, Again, in This Brilliant Whitney Show

A sweeping retrospective shows a personal side of the Pop master — his hopes, fears, faith — and reasserts his power for a new generation, Holland Cotter writes in his review. Mr. Paradox, who never left, is back. Although, technically, “Andy Warhol — From A to B and Back Again”at the Whitney Museum of American Art […]

Why now, man? Bruce Nauman at MoMA

As Bruce Nauman’s touring retrospective opens at MoMA, Jonathan T.D. Neil interrogates why the American artist remains so relevant today. Why Nauman? For anyone familiar with Bruce Nauman and his wellestablished place in the history of contemporary art, the answer, ‘Because it’s Bruce Nauman’, will suffice. But what will follow, inevitably, are explanations that, since […]

Bruce Nauman Reappears: Pay Attention

“Disappearing Acts” lets us see with clarity where the artist stands and why he is pertinent to our wrenching moment. If art isn’t about life and death, and the emotions and ethics that surround them, what is it about? Style? Taste? Auction results? Some artists focus on those, but the most interesting head for the uncool existential […]

Yves Klein: Blenheim Palace’s fusty furnishings feel the shock of the blue

Ai Weiwei’s crabs, Lawrence Weiner’s texts, Michelangelo Pistoletto’s smashed mirrors and Jenny Holzer’s redacted military documents have all given the baroque pile of Blenheim Palace – home to the dukes of Marlborough and birthplace of Winston Churchill – a jolt over the past few years. Inviting living artists to insinuate their works into this world heritage site, […]

A Canadian Museum Promotes Indigenous Art. But Don’t Call It ‘Indian.’

Will a debate over terminology at the Art Gallery of Ontario help the progress of artists who are underrepresented in United States museums? TORONTO — A group of visitors young and old gathered at the Art Gallery of Ontario in front of a well-known Canadian painting the docent called “Church in Yuquot Village.” It was […]

‘It’s a Dream Come True’: Christo’s 600-Ton ‘London Mastaba’ Is Unveiled in London

There is something quietly miraculous about The London Mastaba, Christo and Jeanne-Claude’s 600-ton pyramid-like form that glows red-orange and seemingly sprouts out of its own watery reflections in London’s Serpentine Lake. London is full of verticals, but the glistening structure (on view through September 23) is a matter of horizontals. Rows of 55-gallon barrels laid end […]

Billy Apple in Hong Kong: In Focus

To present 21 works in Hong Kong, spanning approximately six decades (1962–2018), is an unusual occasion for Billy Apple, a groundbreaking New Zealand-born artist whose pop-infused conceptual practice is mostly acknowledged in New Zealand, England (where he studied and worked from 1959 to 1964) and the United States (where he lived from 1964 to 1990). Titled Billy Apple® […]

Adrian Piper’s Show at MoMA is the Largest Ever for a Living Artist. Why Hasn’t She Seen It?

The conceptual artist’s life and work push against the boundaries of race and identity in America. Adrian Piper, the conceptual artist and analytic philosopher, is almost as well known for what she has stopped doing as for what she has done. By 1985, she had given up alcohol, meat and sex. In 2005, she took […]

Richard Long review – modern primitive sees the cosmos reflected in mud

The wandering artist’s perennial walks have led him to contemplate sun, moon and stars with the devoted awe of mankind’s early ancestors.  Mud is not a promising medium to draw with. It is dull, thick, unpromising stuff. A muddy drawing sounds like a vague and boring one. Miraculously, however – or maybe just because he’s […]

Why Joseph Beuys Spent 3 Days Locked Up with a Wild Coyote

With a major retrospective opening in London this week, we focus on a crucial turning point in the career of the pioneering German post-war artist. Joseph Beuys famously declared “every human being is an artist”.  The German artist believed creativity to be a universal principle that extends into all areas of human existence, and was thus preoccupied with what […]

Museums Shake Things Up by Mixing Old and New

HAARLEM, the Netherlands — Frans Hals, a Dutch Golden Age portraitist of wealthy merchants and jolly rogues, was popular and successful in his lifetime, but before he died, he fell out of fashion. His loose, bold brush strokes were too rough for the 18th century. But the Impressionists rediscovered him in the 19th century, and […]

Adrian Piper: The Thinking Canvas

She’s an artist and scholar, and at “A Synthesis of Intuitions” you see thinking — about gender, racism, art — happening before your eyes. “Adrian Piper: A Synthesis of Intuitions, 1965-2016” at the Museum of Modern Art is a clarifying and complicating 50-year view of a major American artist’s career. It is also an image-altering […]

Cy Twombly, Redefined by His Drawings

The gathering of works in Chelsea reconfigures the general sense of Twombly (1928-2011) as a lanky, slow-moving, ever-relaxed Southerner who worked in fits and starts and soaked up the good life on Italy’s Amalfi Coast or in Lexington, Va. — his birthplace, to which he returned in his later years. In its stead is a […]

Cy Twombly and the Transporting, Transforming Power of Art That Barely Uses the Tools of Art

The first time I saw Cy Twombly’s aphrodisiacal paintings, I felt the way Patti Smith felt when first hearing the Rolling Stones: “I was doing all my thinking between my legs.” Something unrecognizable and distorted within me quivered. Twombly’s fevered phosphorescent blooms of runny jellyfish chrysanthemums with elongated, pulpy, tentacle-like sacks dripping down; his iridescent […]

Cy Twombly’s Extravagant Synesthesia

Rosalind Krauss misreads Twombly in more ways than I can enumerate. In her essay, “Cy was here: Cy’s up” (ArtForum, September 1994), Rosalind Krauss made this observation about Cy Twombly: Twombly “misreads” Pollock’s mark as graffiti, as violent, as a type of antiform. And this misreading becomes the basis of all of Twombly’s work. Thus […]