Geoffrey Farmer @ the Venice Biennale 2017

How a violent collision forged Geoffrey Farmer’s fountain for the Canadian Pavilion at the Venice Biennale In 1990 Geoffrey Farmer started writing notes to strangers on public buses. In those days, in Vancouver, buses issued paper ‘transfers’, a time-limit punched into its thin newsprint, which enabled passengers to change buses and continue their journey. Farmer […]

Louise Lawler’s Beguiling Institutional Critique

I remember when photographs by Louise Lawler, currently the subject of a retrospective at the Museum of Modern Art, first hurt my feelings, some thirty years ago. They pictured paintings by Miró, Pollock, Johns, and Warhol as they appeared in museums, galleries, auction houses, storage spaces, and collectors’ homes. A Miró co-starred with its own reflection in […]

Jordan Wolfson review – shock jock with a baseball bat

A giant marionette dangles on a chain, rats smoke, a boy dances in urine and the artist beats a man to death … a controversial new show explodes in a frenzy of cartoon sex and violence. A virtual reality headset over my eyes, headphones over my ears, a gallery assistant helps me grab the metal […]

The Museum of Modern Art explores the provocative, shapeshifting career of Louise Lawler

NEW YORK, NY.- With Louise Lawler: WHY PICTURES NOW, The Museum of Modern Art presents the first major survey in New York of Louise Lawler (American, b. 1947), spanning the 40-year creative output of one of the most influential artists working in the fields of image production and institutional critique. Lawler came of age as […]

Q & A with Jeff Koons on his new Gagosian show, his MOCA award and what’s behind those Louis Vuitton bags

Jeff Koons is having a moment — again. The artist’s solo show of new and recent works, his first here in five years, opens at Gagosian gallery in Beverly Hills on Thursday. He’s also being honored at the annual Museum of Contemporary Art gala on Saturday. When I went to art school, I was very […]

One Man’s Trash Is Damien Hirst’s Treasure: In Venice, the Artist Offers His Grandest Work Yet

Damien Hirst sold a lie, and he sold it very well. In the weeks leading up to his grand exhibition that now occupies all of the Punta Della Dogana and Palazzo Grassi in Venice, he gave out very little information: just a series of teasers on social media—Instagram footage of divers resurrecting unknown objects from […]

Here’s Why Damien Hirst’s Art Market Is Not as Terrible as It Looks

A deep dive into the British artist’s prices as he attempts a comeback. After years of sluggish auction prices, is Damien Hirst poised for a comeback? In 2008, the British artist bypassed the gallery system to bring 167 newly created artworks straight to the auction block. The unprecedented sale upended every market convention and raked […]

Damien Hirst, Treasures from the Wreck of the Unbelievable, review: this spectacular failure could be the shipwreck of his career

After months of speculation, rumour, and stage-managed hype, Damien Hirst’s latest extravaganza is finally opening in Venice – and, my goodness, it’s enormous. With 190 works of art, displayed across 54,000 square feet of gallery space, Treasures from the Wreck of the Unbelievable, as the exhibition is called, is arranged across two venues: Palazzo Grassi, […]

Damien Hirst’s Incredible Shipwreck Treasures Show in Venice

It’s not hard to see why Damien Hirst’s latest project has been hailed as the British artist’s most important to date. And in fact it is so ambitious and such a departure from anything else he has done that it could just be the work that cements his status as one of the greatest artists […]

Treasures from the Wreck of the Unbelievable, exhibition review: A triumphant return from Damien Hirst

Damien Hirst’s triumphant comeback show in Venice is a timely reflection on fakery, belief, truth and absolutes. Damien Hirst’s new show in Venice, Treasures from the Wreck of the Unbelievable, is a complicated triumph. The labels for the works on display, dozens of objects, many enormous, depicting mythological beings — monsters, ancient royalty, maiden warriors, […]

Damien Hirst: Treasures from the Wreck of the Unbelievable review – a titanic return

Art is magical. It is a fairytale. It can make you rich. It can make you poor. It can turn everything you thought you knew inside out and upside down. It has made Damien Hirst rich, colossally so, and now it has done something else. It has redeemed him. For years he has appeared a […]

Glow-getter: Cerith Wyn Evans’ Tate Britain installation is a neon knock-out Read more at http://www.wallpaper.com/art/neon-knock-out-cerith-wyn-evans-writes-with-light-at-tate-britain#cJhxH2wPUWmxJp6Y.99

Welsh artist Cerith Wyn Evans is more familiar than most with London’s Tate Britain. He strolled its iconic galleries as a guard in the late seventies, while studying at Central St Martins. With a beautiful sense of symmetry, he has returned 40 years later, as a much celebrated artist. Wyn Evans’ new masterwork, Forms in […]

Cerith Wyn Evans: Deciphering the Code

Withth two kilometres’ worth of white neon tubing arranged in dazzling arrays of lines and curves high above the Duveen Galleries’ polished floors, Forms in Space… by Light (in Time), Cerith Wyn Evans’s installation for this year’s Tate Britain Commission (of which Sotheby’s is a sponsor) cannot be mistaken for another artist’s work. Born in […]

Cerith Wyn Evans: Forms in Space … by Light (in Time) review – an optical trapeze act

The Welsh artist unveils 2km of neon suspended in mid-air – and it’s an adventure playground for the eyes. It all begins with a white neon O, hanging above our heads like the shape the lips make before an exclamation. Or a spyglass aimed at the chaos beyond.  Suspended partway down the long Duveen Gallery […]

A Whole Century Later, The Duchamp Fountain is Still Shaking up the Art World

Can One Make Works That Are Not “Works” of Art? This was a question asked by Duchamp in his notes from 1913, and remains being the essential question while considering the Richard Mutt Case. Exactly one hundred years ago, in 1917, the course of art history has been completely changed by a submission of a urinal […]

Censorship, Not the Painting, Must Go: On Dana Schutz’s Image of Emmett Till

Presuming that calls for censorship and destruction constitute a legitimate response to perceived injustice leads us down a very dark path. The presence of blackness in a Whitney Biennial invariably stirs controversy — it’s deemed to be unfit or not enough, or too much. The current Whitney Biennial is no exception — the art press […]

Should Art That Infuriates Be Removed?

We all encounter art we don’t like, that upsets and infuriates us. This doesn’t deserve to be exhibited, our brains yell; it should not be allowed to exist. Still, does such aversion mean that an artwork must be removed from view — or, worse, destroyed? This question has been at the heart of the controversy […]

Odd Man in: The Sculptor Robert Morris, at 86, Is Still Blazing Trails

During his long, illustrious career, Robert Morris has constructed sculptures that startle, question, challenge and flout expectations. Since the early 1960s, he has made, in a range of materials, spare, geometric forms; Dada-like objects; ephemeral works; land art; environments with sound systems that play scripted narratives; proto-selfies; dramatic pastel pictures with elaborate sculpted frames; performance […]

Kerry James Marshall: ‘As an artist, everything should be a challenge’

Born in Birmingham, Alabama, Kerry James Marshall taught himself to draw and made his first paintings in Harlem YMCA. As a major retrospective opens in LA, he talks about taking on the Old Masters. The day before the crowds get in to his critically praised retrospective, Kerry James Marshall is walking around the Museum of […]

Details Released for Geoffrey Farmer’s Venice Biennale Project

Allen Ginsberg. A train accident. Intergenerational trauma. Aspects of all of these elements will converge in Geoffrey Farmer’s upcoming project at the Venice Biennale’s Canada Pavilion, according to details recently released to the media. A major impetus for the project comes from two photographs forwarded to the artist by his sister in April 2016. Farmer states […]