Homage to Mexico: Josef Albers and His Reality-Based Abstraction

A radiant Guggenheim exhibition grounds the proto-Minimalist abstract paintings of Josef Albers in the geometric grandeur of Mesoamerican monuments. Art rarely thrives in a vacuum. It is by definition polyglot and in flux, buffeted by the movement of art objects, goods and people across borders and among cultures, and also by individual passion. This much, […]

The Evolution of Art, Part II: From Minimalism Until Now

How did we get to where we are today in the realm of fine art? Who were the artists that changed the course of art history and what were the artworks that broke the mold? In Part I of this two-part series we described the advances in Modern art starting with the advent of abstraction and ending […]

Why Have There Been No Great Women Artists? (Linda Nochlin, From 1971)

Implications of the Women’s Lib movement for art history and for the contemporary art scene—or, silly questions deserve long answers. A version of this story originally appeared in the January 1971 issue of ARTnews. While the recent upsurge of feminist activity in this country has indeed been a liberating one, its force has been chiefly emotional—personal, […]

Coming Face to Face With Jimmie Durham

The sculptor’s retrospective at the Whitney Museum is a “brilliant, half-century-long act of politically driven self-invention,” our critic writes. “I feel fairly sure that I could address the entire world if only I had a place to stand,” the peripatetic American artist Jimmie Durham said in the 1980s. Now he has that place: the fifth […]

Jeff Koons Gives it Up to The Masters

Whitewall met with the artist in his sprawling Chelsea studio just days after his “Masters” collection launched for Louis Vuitton, a project he saw as quite public and accessible, too. The special line puts the work of Da Vinci, Titian, Rubens, Fragonard, and Van Gogh on accessories like bags and scarves, touting the name of each master in bold reflective metal […]

Tehching Hsieh, extreme performance artist: ‘I give you clues to the crime’

The Venice Biennale is hosting the biggest exhibition of work by the Taiwanese artist Marina Abramović calls ‘the master’. “My impression of the Venice Bienniale is that it is the Olympic Games of the arts,” says Tehching Hsieh. “I’m in the category of marathon.” If any artist knows about endurance it is is Hsieh, a […]

Rachel Whiteread Retrospective @ Tate Britain

A metal sign among the found objects, tiny moulds, and notebooks, selected and arranged from across Rachel Whiteread’s 30 year career, reads: ‘Ancient Monuments Acts, 1913 and 1931. Any person who injures or defaces this monument may be fined and ordered to pay the costs of repairs or may be imprisoned.’ The display case is […]

Gerhard Richter: Brisbane show honours German master’s irony and influence

The Life of Images offers a sweeping retrospective of a visionary photo painter whose work continues to resonate To say that an international artist can be hugely influential in Australia, where their work has rarely been seen​, is to pay testament not just to the aesthetic qualities of their work but also to the appeal […]

The Gray Market: Why Museums Can’t Compete With Private Collectors (and Other Insights)

FALSE EQUIVALENCE: Although I always advise caution about these reports, sales at this year’s freshly entombed Frieze and Frieze Masters were allegedly strong from the jump. Numerous exhibitors were eager to broadcast their results (or at least, pretend to) on VIP preview night. But rather than resurrect the issue of dubious honesty from self-interested actors in a consequence-free […]

The unsettling visions of Thomas Ruff

From gender-swap portraits to blown-up images of internet porn and 3D craters on Mars, his photographs are perfect for the age of image overload. As a major Whitechapel retrospective opens, we profile an artist always ahead of the game. Photography is a base passion that has taken hold of every continent and every section of […]

The Guggenheim’s Alexandra Munroe on Why ‘The Theater of the World’ Was Intended to Be Brutal

The curator explains the origins of the exhibition and the thinking behind its most controversial elements. Now well ensconced at the Solomon R. Guggenheim Museum as its Samsung Senior Curator of Asian Art, Munroe is trying to repeat that feat with recent Chinese art history, working with two co-curators—the widely respected experts Hou Hanru and Phillip Tinari—to […]

Where the Wild Things Are: China’s Art Dreamers at the Guggenheim

BEIJING — The signature work at “Art and China After 1989,” a highly anticipated show that takes over the Guggenheim on Oct. 6, is a simple table with a see-through dome shaped like the back of a tortoise. On the tabletop hundreds of insects and reptiles — gekkos, locusts, crickets, centipedes and cockroaches – mill about under […]

Let This Be Your Guide: 7 Famous Artists Describe Their Favorite Artworks at The Met

When a single work at the Metropolitan Museum of Art catches your attention and stops you in your tracks, it can feel like you’ve unearthed a hidden treasure. In Phaidon’s upcoming book The Artist Project: What Artists See When They Look at Art, over 100 artists reflect on this same experience—the moment when an artwork from the Met’s collection overwhelmed […]

Jenny Holzer: Words of Conflict

As three new commissions open this year in the UK and Abu Dhabi, the US artist reflects on the continued dominance of war as a theme in her work and says she longs for Trump to be “in the past tense” Jenny Holzer has put words in unexpected places for nearly 40 years. Her texts […]

Rachel Whiteread review – accentuate the negative

Tate Britain, London Whiteread’s inside-out casts of everything from hot-water bottles to chicken sheds are poised between banality and a spellbinding poetry of the past. There is a small white shack on the lawn in front of Tate Britain. It looks exactly like the very thing it is, namely the concrete cast of a chicken shed. […]

Rachel Whiteread and Antony Gormley: this week’s best UK exhibitions

1 Rachel Whiteread The ghostly power of Whiteread’s casts is one of modern British art’s wonders. Her sculptures – preserving the shapes of lost objects – combine the authority of abstraction with the spookiness of Victorian photographs. Her work has a poetic intensity that has not diminished since she created her now-demolished public sculpture House in […]

Rachel Whiteread Talks To Sue Hubbard About Her New Exhibition At Tate Britain

Trying to get hold of Rachel Whiteread to talk about her new exhibition at Tate Britain, her largest to date, is rather like attempting to gain an audience at the White House. The Tate only gives me a strict half an hour but she walks me round the show before it opens as the technicians beaver away, happy that […]

Three to see: London (Rachel Whiteread)

From Rachel Whiteread’s mummified air to the burial rituals of the mysterious Scythians. On very special occasions, Tate Britain’s 1979 extension is opened up into a vast, single, top-lit space. This is the case for Rachel Whiteread’s career survey (until 21 January 2018) of 30 years of work, from breakthrough sculptures made the year after she graduated […]

Rachel Whiteread exhibition review – the secret life of things *****

Sinks, baths, stairs, hot-water bottles, beehives and the space beneath chairs … a walk through Rachel Whiteread’s casts is a journey into a common landscape made strange Some of her more recent casts of cabins and sheds have been permanently located in out-of-the way places, to be discovered by chance (just imagining them baking in […]