Ai Weiwei’s crabs, Lawrence Weiner’s texts, Michelangelo Pistoletto’s smashed mirrors and Jenny Holzer’s redacted military documents have all given the baroque pile of Blenheim Palace – home to the dukes of Marlborough and birthplace of Winston Churchill – a jolt over the past few years. Inviting living artists to insinuate their works into this world heritage site, […]
As a business model, the art gallery occupies a unique position. Functioning as the bridge between art’s existence as a commercial enterprise and its role as a philosophical pursuit, a gallery, unlike other businesses, has a measure of success that is completely divorced from its financial earnings: by championing important artists, and putting on daring […]
Tracey Emin‘s sculpture My Bed (1998) is exactly what it sounds like: the work consists of the artist’s freshly slept-in bed, with crumpled pillows, disheveled sheets, and dirty tissues and other junk (including sanitary items, prophylactics, and liquor bottles) strewn around the footboard. When it debuted at 1999 at London’s Tate, it created an instant commotion in the […]