Why Does Art History Have the Blues?

Why do artists always seem to have the blues? Since time immemorial, blue has held a special place in art history, evoking the loftiest sentiments, the most aristocratic pedigrees, and the profoundest spirituality. As a material, blue pigment has itself been a fetishized commodity, serving as everything from a prized color for Medieval monks to the […]

An Introduction to Process Art (Or, How Minimalism Went From Pretty to Gritty)

The common refrain, “It’s the journey, not the destination,” could make a perfect catchphrase for Process Art. A movement that arose in the 1960s and ’70s and has since expanded in definition to describe a general philosophical approach to making art, Process Art places its emphasis on the process and act of artistic creation rather than the […]

How to Think About Conceptual Art

There has been a lot of bickering about what Conceptual art is/was; who began it; who did what when with it; what its goals, philosophy, and politics were and might have been. I was there, but I don’t trust my memory. I don’t trust anyone else’s either.  – Lucy Lippard, “Escape Attempts” The term “concept art” […]

Know Your Critics: What Did Leo Steinberg Do?

If you could have dinner with just one 20th-century art historian, you might want to choose Leo Steinberg (1920-2011). Known for delivering garrulously wide-ranging lectures and papers that were as lucid as they were revolutionary, he was also admired for his wit, dropping in enough jazzy lines that Woody Allen could have cherry-picked them for material. The following is […]