From the Green Market to the Gallery Wall

Karin Sander’s Kitchen Pieces draw your attention to the rhythmic ridges of an acorn squash, the bumpy peel of an orange, and the spiky surface of a yellow dragon fruit. I wanted to write about German artist Karin Sander’s exhibition Kitchen Pieces at Carolina Nitsch in New York from the outset; it’s that novel and striking. The exhibition opened […]

Adrian Piper: The Thinking Canvas

She’s an artist and scholar, and at “A Synthesis of Intuitions” you see thinking — about gender, racism, art — happening before your eyes. “Adrian Piper: A Synthesis of Intuitions, 1965-2016” at the Museum of Modern Art is a clarifying and complicating 50-year view of a major American artist’s career. It is also an image-altering […]

Private Sales Offer Art for a Few Eyes Only

Private sales through auction houses are suddenly big, but are they new? “It was something that was kept under wraps at most of the houses for some time,” said David Schrader, who joined Sotheby’s last year as its head of private sales for contemporary art. “Now we’re being very vocal about it and putting more […]

How Should We Be Photographing Artwork?

An inevitable part of being an artist is having to take pictures of what you create, whether in order to digitally submit it for exhibitions or for promotional purposes. Unfortunately, people tend to be too sloppy when photographing artwork, and they often end up with photos that do no justice to the piece itself. This […]

A leap into space: Malevich’s Suprematist Composition

How this 1916 canvas, included in every major survey of Malevich’s Suprematist works mounted during his lifetime, revolutionised modern art. On 15 May it is offered in the Impressionist and Modern Art Evening Sale  in New York. On 17 December 1915, a series of new paintings by the Russo-Polish artist Kazimir Malevich (1878-1935) was exhibited in the Dobychina Art […]

How Is Western Art Really Faring in Asia? 3 Trendlines From Hong Kong’s Spring Auctions Reveal the Changing Market

Asian, postwar, and fine art are by far the most bankable categories in Hong Kong. In recent years, Hong Kong has transformed in the eyes of the Western art industry. Formerly a destination that warranted attention primarily during Art Basel Hong Kong and a few scattered auctions, the region now hosts permanent spaces from many of […]

Cy Twombly, Redefined by His Drawings

The gathering of works in Chelsea reconfigures the general sense of Twombly (1928-2011) as a lanky, slow-moving, ever-relaxed Southerner who worked in fits and starts and soaked up the good life on Italy’s Amalfi Coast or in Lexington, Va. — his birthplace, to which he returned in his later years. In its stead is a […]

5 Post-War Italian Artists to Know

An essential introduction to Italy’s most collectible names ahead of April’s modern and contemporary art auctions in Milan. Born in Turin in 1940, Alighiero Boetti is today recognized as one of Italy’s most important conceptual artists, and was a leading figure in the Arte Povera movement that revolutionized contemporary art at the end of the […]

Cy Twombly and the Transporting, Transforming Power of Art That Barely Uses the Tools of Art

The first time I saw Cy Twombly’s aphrodisiacal paintings, I felt the way Patti Smith felt when first hearing the Rolling Stones: “I was doing all my thinking between my legs.” Something unrecognizable and distorted within me quivered. Twombly’s fevered phosphorescent blooms of runny jellyfish chrysanthemums with elongated, pulpy, tentacle-like sacks dripping down; his iridescent […]

How to Tell if an Artwork is Fake

Confirming the authenticity of an artwork crucial before buying. We give 5 key factors to consider and uncover some of the most shocking forgery cases in art history The notion of a forger conjures up a the image of a cartoonish criminal painting a knock-off da Vinci in some kind of darkened attic. But many […]

Damien Hirst Falling Off The Grid – Houghton Hall – Paul Carter Robinson

Last week I was a guest at the magnificent Houghton Hall, one of the most impressive Palladian houses in Britain. This is a house steeped in history and surprisingly still in the hands of the original descendants of Sir Robert Walpole, the first Prime Minister of Britain. Houghton Hall with its lavish interior design and […]

Cy Twombly’s Extravagant Synesthesia

Rosalind Krauss misreads Twombly in more ways than I can enumerate. In her essay, “Cy was here: Cy’s up” (ArtForum, September 1994), Rosalind Krauss made this observation about Cy Twombly: Twombly “misreads” Pollock’s mark as graffiti, as violent, as a type of antiform. And this misreading becomes the basis of all of Twombly’s work. Thus […]

Damien Hirst’s Post-Venice, Post-Truth World

The artist worked in secret on his first love, painting, for his new show. This is the anti-Venice, he says. LOS ANGELES — In army green camouflage and black sweats and with two heavy gold chains swinging with each step of his Nikes, Damien Hirst was in an unusually quiet mood. Sipping from a can […]

Team Gallery’s Jose Freire on Why He Is Quitting Art Fairs for Good – Part I

The veteran art dealer explains why he has soured on the art market’s central apparatus. The central driver of the modern-day art market, at least when it comes to galleries, is art fairs. They promise efficiency: for a hefty booth fee (plus travel and shipping costs), dealers from around the world can convene in a […]

Allan Kaprow, Before the Happenings

Considered the Father of the Happening, Kaprow started off as a painter whose work reflected a Cubist-inspired, pre-AbEx aesthetic. In his essay for the catalogue accompanying the exhibition ALLAN KAPROW. PAINTINGS NEW YORK at Hauser & Wirth’s uptown outpost, art historian Philip Ursprung describes Kaprow’s progression from painting to performance in three swift strokes: The story began […]

Young Painters Are Trying to Kill Me, Says the German Artist Albert Oehlen—But He’s Cool With It

As his new paintings and drawings go on view in Los Angeles and Berlin, the artist reflects on his experience as a young artist in Berlin in the ’70s. Albert Oehlen is something of a living legend. He might be 63, but his reputation as an enfant terrible remains. There’s something eternally youthful about the German painter, who first […]

Back When Painting Was Dead

When Clement Greenberg, Frank Stella, and Donald Judd tried to define what makes a painting, they overlooked a central feature — capaciousness. It is routine to characterize the 1970s as a decade dominated by Conceptual Art, and artists such as Sol LeWitt, Lawrence Weiner, Joseph Kosuth, and Mel Bochner. Part of this thinking is market-driven: […]

Why Frieze Los Angeles Would Be Dead on Arrival (and Other Insights)

This week, our columnist draws on his LA gallery experience to chart the pitfalls of Frieze’s potential westward expansion. THE RUMOR On Thursday, Charlotte Burns and Allan Schwartzman reported in Art Agency, Partners’s “In Other Words” newsletter that “the Frieze Art Fair is looking to launch a Los Angeles event in January 2019.” A Frieze […]

State of the Culture, IV: Why the ‘Art World’ as We Know It Is Ending

In Part I of this series on the State of the Culture, I looked at the changing environment for museums; Part II was dedicated to the changing rules for artists; Part III examined the new dynamics of art media. In Part IV, I try to sum things up. Flaubert’s Dictionary of Received Ideas is a kind of parody of 19th-century cocktail-party clichés. There’s an […]

The Artist Who Invented the Upside-Down Painting

The market is on the up for Georg Baselitz, one of the world’s greatest-living painters, who celebrates his 80th birthday this year Expelled from art school aged 18, Georg Baselitz has gained a reputation as a provocateur, creating works that cause scandal and turn conventional approaches to painting, quite literally, on their head. Baselitz’s 80th birthday in January […]