The sculptor Carol Bove likes to play with associations and forms as she builds her assemblages of constructed and readymade objects. Time and space to experiment are crucial elements of her process, as is a certain psychological sovereignty—Bove writes that “creating a nonpurposive, free space in which to play and have fun is essential.” Here, the Brooklyn-based artist […]
If a collector wanted to buy a Frank Stella at Art Basel Miami Beach last December, he could have walked up to the booth of New York’s Marianne Boesky Gallery, which represents Frank Stella. Or, he could have walked up to the booth of London and New York gallery Dominique Lévy, which also represents Frank Stella. […]
You do need to know some art history. As a producer of art objects/gestures, the conventions you decide to ignore and the conventions you decide to repeat are as important, if not more so, than what you invent. If you’re a total novice start with Cubism to Surrealism and then study 1945–75, then take it from […]
March 8 was International Women’s Day, and though few people remember this occasion in America, in Russia we celebrate it as a major national holiday. Every March since my Soviet childhood I was reminded to appreciate all the intelligent and hard-working women who have played a pivotal role in my life and generally made our world […]
In spite of countless false starts and snowy regressions, it is technically spring in New York now (really!), and it is therefore open season for public art. The city’s parks are quickly filling with public art as outdoor exhibitions open in Manhattan, Brooklyn, and Queens. From a reclining giant in Queens and a deconstructed duplicate […]
The protean Carol Bove continues to cultivate her extraordinary garden, operating in the gaps between art and design, modernism (especially Minimalism) and nature, language and structure, found and made, order and chaos, her work/art and other people’s work/art. One of the best artists of our peculiar moment, …