The Bronx-born artist came to fame in the 1970s with an array of unsettling work. Vito Acconci, a towering figure with influences on both performance art and experimental architecture, has died at the age of 77. A cause of death has not been confirmed by the estate. Born in the Bronx in 1940, Acconci worked as […]
Marina Abramović had a gun put to her head. Joseph Beuys shared a gallery with a coyote. But with social media full of shocking images, is it worth today’s artists putting their lives at risk? In 1974, standing expressionless beside a table in a gallery in Naples, Marina Abramović began her performance piece Rhythm 0. […]
Our final (so far) column on Chris Burden, by Peter Schjeldahl – you should read it. Burden adventured alone in wilds that aren’t outside civilized life but that seethe within it. He coolly structured convulsive experience. His mastery of form made him a poet, as in a piece that I knew from hearsay and wrote […]
What does it take to get shot in the name of art? For the late conceptual artist Chris Burden, who did just that, it required courage, vision and an excellent triggerman. One willing to accept the risk that if he missed his target by inches, art could morph into homicide. So when Mr. Burden, who […]
Performance artist and sculptor Chris Burden, who may remain best known for a performance in which he had himself shot in the arm, died today at his home in Topanga Canyon, California, at age 69. The cause was malignant melanoma, according to the artist’s friend Paul Schimmel, as reported in the L.A. Times. Due […]
Chris Burden In 1972, visitors attending Burden’s show at Mizuno Gallery in Los Angeles were treated to what appeared to be a crime scene, with a covered cadaver lying on La Cienega Boulevard, surrounded by police flares. In fact, it was the artist himself “making a piece of sculpture,” as he later put it. He […]
Crotchless trousers, baths of excrement, John Cage, Yoko Ono and Marina Abramovic … in the first of a series of exclusive films with the Tate, in which stars give potted histories of art movements, Frank Skinner opens up the wild world of performance art.
‘Chris Burden: Extreme Measures,’ at the New Museum. “Chris Burden: Extreme Measures” at the New Museum is a superb survey, but also a kind of transfiguration. It liberates the Los Angeles-based Mr. Burden from the clutches of history, expanding and rebalancing our understanding of his art.