One Man’s Trash Is Damien Hirst’s Treasure: In Venice, the Artist Offers His Grandest Work Yet

Damien Hirst sold a lie, and he sold it very well. In the weeks leading up to his grand exhibition that now occupies all of the Punta Della Dogana and Palazzo Grassi in Venice, he gave out very little information: just a series of teasers on social media—Instagram footage of divers resurrecting unknown objects from […]

Here’s Why Damien Hirst’s Art Market Is Not as Terrible as It Looks

A deep dive into the British artist’s prices as he attempts a comeback. After years of sluggish auction prices, is Damien Hirst poised for a comeback? In 2008, the British artist bypassed the gallery system to bring 167 newly created artworks straight to the auction block. The unprecedented sale upended every market convention and raked […]

Richard Long: ‘I’m proud of being the first person to cross Dartmoor in a straight line’

He has walked the Earth, recording his traces and turning them into mysterious works of land art. Now 71, with a new show in Norfolk, art’s great hiker talks about cloud-chasing in France, sculpting on Kilimanjaro – and the paths that lie ahead. Sixteen enormous tree stumps, their roots turned towards the sky, stand in […]

Damien Hirst, Treasures from the Wreck of the Unbelievable, review: this spectacular failure could be the shipwreck of his career

After months of speculation, rumour, and stage-managed hype, Damien Hirst’s latest extravaganza is finally opening in Venice – and, my goodness, it’s enormous. With 190 works of art, displayed across 54,000 square feet of gallery space, Treasures from the Wreck of the Unbelievable, as the exhibition is called, is arranged across two venues: Palazzo Grassi, […]

“Green Imposes Its Discomfiting Mood”: The History of Green and the Work of Bruce Nauman, Brice Marden, and Olafur Eliasson

Textbooks tend to organize art history chronologically. But what if we re-told art history through color instead? Artspace is publishing a series of articles excerpted from Phaidon‘s Chromaphilia: The Story of Color in Art, each one offering a close look into the history of a single color in its relation to art. Last week we examined red, […]

Treasures from the Wreck of the Unbelievable, exhibition review: A triumphant return from Damien Hirst

Damien Hirst’s triumphant comeback show in Venice is a timely reflection on fakery, belief, truth and absolutes. Damien Hirst’s new show in Venice, Treasures from the Wreck of the Unbelievable, is a complicated triumph. The labels for the works on display, dozens of objects, many enormous, depicting mythological beings — monsters, ancient royalty, maiden warriors, […]

Glow-getter: Cerith Wyn Evans’ Tate Britain installation is a neon knock-out Read more at http://www.wallpaper.com/art/neon-knock-out-cerith-wyn-evans-writes-with-light-at-tate-britain#cJhxH2wPUWmxJp6Y.99

Welsh artist Cerith Wyn Evans is more familiar than most with London’s Tate Britain. He strolled its iconic galleries as a guard in the late seventies, while studying at Central St Martins. With a beautiful sense of symmetry, he has returned 40 years later, as a much celebrated artist. Wyn Evans’ new masterwork, Forms in […]

Behold the New Vantablack 2.0, the Art Material So Black It Eats Lasers and Flattens Reality

Artists the world over were instantly captivated three years ago when UK-based Surrey NanoSystems announced the invention of Vantablack, the darkest material ever made. And things continue to get darker: The company has been advancing the technology, and released some astonishing photographs and footage of the pigment in action, which have to be seen to be […]

Cerith Wyn Evans: Deciphering the Code

Withth two kilometres’ worth of white neon tubing arranged in dazzling arrays of lines and curves high above the Duveen Galleries’ polished floors, Forms in Space… by Light (in Time), Cerith Wyn Evans’s installation for this year’s Tate Britain Commission (of which Sotheby’s is a sponsor) cannot be mistaken for another artist’s work. Born in […]

Cerith Wyn Evans: Forms in Space … by Light (in Time) review – an optical trapeze act

The Welsh artist unveils 2km of neon suspended in mid-air – and it’s an adventure playground for the eyes. It all begins with a white neon O, hanging above our heads like the shape the lips make before an exclamation. Or a spyglass aimed at the chaos beyond.  Suspended partway down the long Duveen Gallery […]

Conceptual Art Movement and Examples

The Conceptual art movement is probably the most radical and the most controversial plane in modern and contemporary art. Some artists, experts and art historians even dismiss it as art. Conceptual art is based on the notion that the essence of art is an idea, or concept, and may exist distinct from and in the […]

10 Neo DADA Art Pieces that Influenced and Shaped the Groundbreaking Art Movement

Revisiting the irony of the original Dada movement, Neo-Dada was first popularized in the early 1960s. The label has been applied to a wide variety of artistic works, mostly including Junk art, use of found objects and the employment of banal activities and objects as instruments of social and aesthetic critique. The most popular names […]

Dadaist Artists that Change the Course of Art History – 100 Years of DADA

The art movement known as Dada, or Dadaism, has undoubtedly shifted the course of artistic history on multiple fields. Uniting the European avant-garde in the early 20th century, the movement was officially created in Zürich, Switzerland, in 1916 at CabaretVoltaire, and it celebrates 100 years of existence this year. Nurturing many monumental artists and their […]

A Whole Century Later, The Duchamp Fountain is Still Shaking up the Art World

Can One Make Works That Are Not “Works” of Art? This was a question asked by Duchamp in his notes from 1913, and remains being the essential question while considering the Richard Mutt Case. Exactly one hundred years ago, in 1917, the course of art history has been completely changed by a submission of a urinal […]

Censorship, Not the Painting, Must Go: On Dana Schutz’s Image of Emmett Till

Presuming that calls for censorship and destruction constitute a legitimate response to perceived injustice leads us down a very dark path. The presence of blackness in a Whitney Biennial invariably stirs controversy — it’s deemed to be unfit or not enough, or too much. The current Whitney Biennial is no exception — the art press […]

Should Art That Infuriates Be Removed?

We all encounter art we don’t like, that upsets and infuriates us. This doesn’t deserve to be exhibited, our brains yell; it should not be allowed to exist. Still, does such aversion mean that an artwork must be removed from view — or, worse, destroyed? This question has been at the heart of the controversy […]

Rachel Whiteread: thinking inside the box

Once a key part of a generation of artists who transformed east London, the sculptor talks to Eva Wiseman about doll’s houses, her fellow YBAs, and why she left Shoreditch. It’s 24 years since Whiteread, then 30, cast the last remaining property in a demolished terrace in Bow, east London, in liquid concrete, sparking debates […]

Getty Acquires Concrete Poetry by Two Modern Pioneers of the Form

Works by Scottish poet Ian Hamilton Finlay and Brazilian poet Augusto de Campos have joined the Getty’s collection and will go on view in an exhibition opening next week. Tug, fug, chug, glug — such are the rhyming words used by the writer and artist Ian Hamilton Finlay in “Poem with 3 Stripes,” one of his […]

Odd Man in: The Sculptor Robert Morris, at 86, Is Still Blazing Trails

During his long, illustrious career, Robert Morris has constructed sculptures that startle, question, challenge and flout expectations. Since the early 1960s, he has made, in a range of materials, spare, geometric forms; Dada-like objects; ephemeral works; land art; environments with sound systems that play scripted narratives; proto-selfies; dramatic pastel pictures with elaborate sculpted frames; performance […]