Seattle Art Fair Artistic Director Nato Thompson on How to Cut the Crap and Connect With an Audience

The Creative Time alum speaks with artnet News’s editor-in-chief Andrew Goldstein about the intersection of art and tech and how to add heft to art-fair programming. Nato Thompson has a knack for putting artists and other thinkers together in a way that gets people talking. He did this to great effect during his decade at […]

The End of Exhibitions? As Attendance Plummets, New York Dealers Are Scrambling to Secure the Future of the Art Gallery

To lure the public back into art galleries, dealers are banding together and adopting vintage tactics like the old-fashioned gallery walk. On Wednesday night in New York, 30 art galleries stayed open late to accommodate visitors to the inaugural Chelsea Art Walk, a new initiative spearheaded by the Art Dealers Association of America. It’s a “great […]

Is Everything We Know About Gallery E-Commerce Wrong? How David Zwirner and Gagosian’s New Initiatives Break the Rules

With their new online viewing rooms, the mega-galleries are challenging ideas about what can (and can’t) sell online in a changing art market. Galleries have been offering works to buyers digitally since at least the early days of smartphones. But back then, emailed JPGs and PDF checklists were usually used to whet clients’ appetites for […]

How Is Western Art Really Faring in Asia? 3 Trendlines From Hong Kong’s Spring Auctions Reveal the Changing Market

Asian, postwar, and fine art are by far the most bankable categories in Hong Kong. In recent years, Hong Kong has transformed in the eyes of the Western art industry. Formerly a destination that warranted attention primarily during Art Basel Hong Kong and a few scattered auctions, the region now hosts permanent spaces from many of […]

Cy Twombly, Redefined by His Drawings

The gathering of works in Chelsea reconfigures the general sense of Twombly (1928-2011) as a lanky, slow-moving, ever-relaxed Southerner who worked in fits and starts and soaked up the good life on Italy’s Amalfi Coast or in Lexington, Va. — his birthplace, to which he returned in his later years. In its stead is a […]

Art-Fair Economics: Why Small Galleries Do Art Fairs Even When They Don’t Make Money

As the middle market shrinks, many dealers are finding they can’t afford to do fairs—but they can’t afford not to, either. Think art fairs are all about sold-out booths, comfortable shoes, and exclusive dinner invitations? Think again. For many small to mid-size galleries, fairs—like Art Basel in Basel, which opens to VIPs today—are an increasingly […]

The Weight of History: Richard Serra’s Sculpture and Drawings

Richard Serra told us that he came to a place in his work where he didn’t want people to be simply looking at a single object; he wanted them to experience the work by going through it. “Yes, the walk into, through and around,” he said, so on November 5, 2017, on the morning after […]

Homage to Mexico: Josef Albers and His Reality-Based Abstraction

A radiant Guggenheim exhibition grounds the proto-Minimalist abstract paintings of Josef Albers in the geometric grandeur of Mesoamerican monuments. Art rarely thrives in a vacuum. It is by definition polyglot and in flux, buffeted by the movement of art objects, goods and people across borders and among cultures, and also by individual passion. This much, […]

The Art Market Moves East: How Gagosian, David Zwirner, and 14 Other Western Art Businesses Are Trying to Expand to Asia

China has been described as “the largest growth market for the art business, anywhere.” See how auctioneers and dealers are tapping into it. In the past year alone, no fewer than six galleries have opened or announced plans to open an outpost or office somewhere in Asia. Amid announcement after announcement, it may feel like […]

Yayoi Kusama and the Amazing Polka-Dotted, Selfie-Made Journey to Greatness

The artist of “Infinity” rooms has become an Instagram darling.  But two new gallery exhibitions in New York show that she’s much more than that — an almost frighteningly fertile talent. Sometimes I think Yayoi Kusama might be the greatest artist to come out of the 1960s and one of the few, thanks in part […]

The Four-Hour Art Week? Read Carol Bove’s Self-Help Guide for Artists

The sculptor Carol Bove likes to play with associations and forms as she builds her assemblages of constructed and readymade objects. Time and space to experiment are crucial elements of her process, as is a certain psychological sovereignty—Bove writes that “creating a nonpurposive, free space in which to play and have fun is essential.” Here, the Brooklyn-based artist […]

The Gray Market: Why Museums Can’t Compete With Private Collectors (and Other Insights)

FALSE EQUIVALENCE: Although I always advise caution about these reports, sales at this year’s freshly entombed Frieze and Frieze Masters were allegedly strong from the jump. Numerous exhibitors were eager to broadcast their results (or at least, pretend to) on VIP preview night. But rather than resurrect the issue of dubious honesty from self-interested actors in a consequence-free […]

Inside Wolfgang Tillmans’s Superb Tate Modern Survey

The new show feels unquestionably relevant. The opening [today] of “2017,” Wolfgang Tillmans’s survey at Tate Modern, is bringing a much needed breath of fresh air to the London museum, and not because recent exhibitions might have been lackluster—on the contrary, the ongoing Robert Rauschenberg retrospective is a triumph, and the recent solos of Agnes […]

Jonathan Jones’s top 10 art exhibitions of 2016

From great masterpieces by Caravaggio and Picasso to Georgiana Houghton’s hypnotic rediscovered paintings, this was a year full of stunning blockbusters. From Picasso, to Marcel Duchamp, to Hieronymus Bosch, Caravaggio, AbEx, Girogione, Anselm Kiefer to William Kentridge, read on…!

artnet News Critics’ Picks: The Most Memorable Artworks of 2016

While 2016 may have been pretty awful on any number of fronts, we have to admit that it also gave us a lot of pretty great art. Consider Maurizio Cattelan alone, who gave us a solid gold toilet to relieve ourselves on at New York’s Guggenheim Museum, a real life donkey, pooping in the tent […]

MoMA Curator Laura Hoptman on How to Tell a Good Painting From a “Bogus” Painting

When the influential Museum of Modern Art curator Laura Hoptman claims that she’s “a painting person,” it’s no joke. A veteran organizer of cutting-edge exhibitions, she built her career in part through her insistence on championing the medium, even—or perhaps especially—through its perennial periods of unpopularity and critical disdain. This has earned her both accolades and […]

Kerry James Marshall’s Paintings Show What It Means to Be Black in America

People say we’re in the middle of a second civil rights movement, and we are. The only surprise is that the first one ever ended. The artistKerry James Marshall was there for it. He was just a kid then, born in Birmingham, Ala., in 1955. But kids take in a lot. He was in Birmingham […]

Hans-Ulrich Obrist tops list of art world’s most powerful

Artistic director of London’s Serpentine Galleries, dubbed ‘curator who never sleeps’, wins ArtReview’s accolade for second time.  Hans-Ulrich Obrist, the artistic director of London’s Serpentine Galleries dubbed as the “curator who never sleeps”, has topped this year’s ArtReview Power 100 of the most influential people in the art world. It is the second time Obrist […]

The Middle Market Squeeze, Part II: Galleries Get a Reality Check

Every age gets the kind of gallery it deserves. In August of 2015, ex-gallerist, private dealer, art fair director, and author Ed Winkleman published his second book on contemporary art galleries in six years. Titled Selling Contemporary Art: How to Navigate the Evolving Market(Allworth Press), the book provides what an Amazon online review calls an […]

Talk – Collecting Contemporary Art, Audain Art Museum, Whistler, Canada

Laing Brown is an art collector who is interested in ideas. Brown, chair of the Audain Art Museum acquisitions committee and an external advisor to the acquisitions committee of the National Gallery of Canada, has just returned from Britain, where he went to check out Frieze London, where 160 of the world’s top commercial galleries […]