Inside Wolfgang Tillmans’s Superb Tate Modern Survey

The new show feels unquestionably relevant. The opening [today] of “2017,” Wolfgang Tillmans’s survey at Tate Modern, is bringing a much needed breath of fresh air to the London museum, and not because recent exhibitions might have been lackluster—on the contrary, the ongoing Robert Rauschenberg retrospective is a triumph, and the recent solos of Agnes […]

Jonathan Jones’s top 10 art exhibitions of 2016

From great masterpieces by Caravaggio and Picasso to Georgiana Houghton’s hypnotic rediscovered paintings, this was a year full of stunning blockbusters. From Picasso, to Marcel Duchamp, to Hieronymus Bosch, Caravaggio, AbEx, Girogione, Anselm Kiefer to William Kentridge, read on…!

artnet News Critics’ Picks: The Most Memorable Artworks of 2016

While 2016 may have been pretty awful on any number of fronts, we have to admit that it also gave us a lot of pretty great art. Consider Maurizio Cattelan alone, who gave us a solid gold toilet to relieve ourselves on at New York’s Guggenheim Museum, a real life donkey, pooping in the tent […]

MoMA Curator Laura Hoptman on How to Tell a Good Painting From a “Bogus” Painting

When the influential Museum of Modern Art curator Laura Hoptman claims that she’s “a painting person,” it’s no joke. A veteran organizer of cutting-edge exhibitions, she built her career in part through her insistence on championing the medium, even—or perhaps especially—through its perennial periods of unpopularity and critical disdain. This has earned her both accolades and […]

Kerry James Marshall’s Paintings Show What It Means to Be Black in America

People say we’re in the middle of a second civil rights movement, and we are. The only surprise is that the first one ever ended. The artistKerry James Marshall was there for it. He was just a kid then, born in Birmingham, Ala., in 1955. But kids take in a lot. He was in Birmingham […]

Hans-Ulrich Obrist tops list of art world’s most powerful

Artistic director of London’s Serpentine Galleries, dubbed ‘curator who never sleeps’, wins ArtReview’s accolade for second time.  Hans-Ulrich Obrist, the artistic director of London’s Serpentine Galleries dubbed as the “curator who never sleeps”, has topped this year’s ArtReview Power 100 of the most influential people in the art world. It is the second time Obrist […]

The Middle Market Squeeze, Part II: Galleries Get a Reality Check

Every age gets the kind of gallery it deserves. In August of 2015, ex-gallerist, private dealer, art fair director, and author Ed Winkleman published his second book on contemporary art galleries in six years. Titled Selling Contemporary Art: How to Navigate the Evolving Market(Allworth Press), the book provides what an Amazon online review calls an […]

Talk – Collecting Contemporary Art, Audain Art Museum, Whistler, Canada

Laing Brown is an art collector who is interested in ideas. Brown, chair of the Audain Art Museum acquisitions committee and an external advisor to the acquisitions committee of the National Gallery of Canada, has just returned from Britain, where he went to check out Frieze London, where 160 of the world’s top commercial galleries […]

Clean, Well-Lighted Places: On Our Nostalgia for the Golden Age of Art Dealing

The notion that collectors sit atop the hierarchy of today’s art world is axiomatic. They build private museums and control the boards of traditional ones. Through their acquisitions, they determine the fates of artists, and often overshadow curators, historians, and critics—all those ink-stained intellectuals who used to play a larger role in determining art’s value. […]

Like LeWitt and his meticulous instructions for creating his works, Sandback didn’t so much make things (at least not the things he eventually exhibited) as plan them. His sculptures, when they left the studio, consisted of configurations, measurements, and ratios, along with specifications for the type and color of the yarn or elastic that would […]

Public Talk: Collecting Contemporary Art

“Without tradition, art is a flock of sheep without a shepherd. Without innovation, it is a corpse.” – Sir Winston Churchill Join Laing Brown, a noted art collector, Board Member and Chair of the Audain Art Museum Acquisitions Committee, for a public multi-media presentation where he will discuss his Top 10 Collecting Rules for contemporary […]

For Art Dealers, the Place to Be Is Still London

These are early days, but the Hieronymus Bosch vision of a socioeconomic apocalypse that many feared would follow Britain’s June 23 vote to leave the European Union has yet to materialize.  True, the pound has lost about 10 percent of its value against other major currencies, and a huge amount of political uncertainty still remains, […]

Dear Seattle Art Fair, I Love You and I Want You to Live

Just like last year, when the announcement came over the loudspeaker at 6 p.m. on Sunday that the Seattle Art Fair was closed, people applauded. But this time, the applause was a little more sparse, a little more nervous. Fair organizer Max Fishko said people clap only in Seattle. The desire for success is so […]

At Seattle Art Fair, the Interaction Between Technology and Modern Life

The Seattle Art Fair, started last year by Paul G. Allen, the co-founder of Microsoft, has a proud inner geek.  But like Mr. Allen himself, who has fingerprints on much of the city’s explosion of growth, geekiness only touches the surface. Through a real estate development arm of his company, Vulcan Inc., he is building […]

Britain’s Top 50 Galleries You Should Know (and Visit)

artnet News picks the top of the crop in the UK.

Architect Annabelle Selldorf on Why Mega-Galleries Are Transforming Into Mini-Museums

If you are even a casual appreciator of art in New York, the chances are that you have stepped into one of Annabelle Selldorf’s spaces, and been entranced. Perhaps the most coveted architect among the minimalistically inclined art elite, Selldorf has designed a broad spectrum of the city’s art sites, from theNeue Galerie uptown, steeped […]

Jordan Wolfson’s Hypnotic Abuse At Zwirner

Here are a few negative things you could say about Jordan Wolfson’s show: It’s dumb. It’s a spectacle. It’s loud. But you know what? This dumb, loud spectacle is one of the more thoughtful, oddly contemplative experiences you can have in Chelsea right now. During my visit the kinetic piece (titled, with sarcastic nonchalance, Colored sculpture) attracted […]

See the 6 Most Haunting Humanoids in Art

This year’s Met Gala saw many of its high-profile attendees looking like cyborgs as its theme, Manus x Machina, commented on the growing influence of tech on the fashion world. But the impact of electronic media and technology on contemporary life is also being reflected in the art world. Over the past few years there […]

Lessons in Gigantism: Richard Serra Makes It Work

There’s never a shortage of mega-art in Chelsea: a stroll one morning this week encountered such gallery-filling works as Jordan Wolfson’s deranged, chain-operated marionette (“Colored sculpture,” 2016) at David Zwirner and Anish Kapoor’s mammoth, packed-earth “She Wolf” (2016) at Gladstone. And then there’s Richard Serra, whose double-gallery blowout at Gagosian is Exhibit A for material-intensity-meets-overwhelming-scale. […]

Richard Serra’s 10 Most Expensive Artworks at Auction

Iconoclastic American artist Richard Serra launched an exhibition of his latest steel behemoths at Gagosian Gallery in New York this past Saturday, featuring four new works: Above Below Betwixt Between,Every Which Way, Silence (for John Cage), and Through. It’s the thirtieth big show at the gallery for the artist, who splits his time between New York and Nova Scotia. Suffice it to say, the […]