The Art Market: now what?

This week saw the first post-Brexit art auctions in London, and they brought considerable cheer to a market predominantly dismayed at the Leave decision. To a backdrop of a declining exchange rate for the pound and Britain losing its AAA rating status, on Monday Phillips turned in a modest total of £9.8m hammer (£11.9m with […]

What was good for the Medicis is good for banks

Global companies with an eye on the bigger picture invest in contemporary creations.  Just beyond the turnstiles of Deutsche Bank’s London reception sits a large object resembling several huge dollops of creamy Plasticine. As the viewer comes close, it turns out to be a sculpture made entirely of dice. “Secretions” (1998) by British artist Tony […]

Three current Ai Weiwei exhibitions display his wit and courage

Yorkshire Sculpture Park has a strange new tree. Solid yet graceful, inspired by the street vendors of Jingdezhen in southern China, who sell wood for its beauty, “Iron Tree” (2013) is a collection of fragments held together with bolts. It seems to have been in the wars, this tree, much like its maker Ai Weiwei. […]

Is collecting art as profitable as it is painted?

The international art market is having its time in the sun: auction records keep tumbling, living artists have become superstars, and their punchy paintings and shiny sculptures have become the billionaire’s playthings of choice. Amid all this noise, however, it is time to question the much-touted belief that art is also an investment-grade asset.

Breakfast with the FT: Nicholas Penny

“The National Gallery’s great advantage is that we are obliged to give prominence to works of art that are important in the collection but don’t mean much to people today,” he says cheerfully. Conceptual works by trendy names – notably installations by Conrad Shawcross and Mark Wallinger alongside Titian in 2012 – have entered the […]

Lunch with the FT: Jake and Dinos Chapman

The not-so-young British artists on provocation, prostitution and spicy soup Jake picks up a paper napkin. “The second that Martin Creed does that” – he crumples up the napkin – “then it’s worth £50,000 or whatever. The point is there has to be some sort of syndicative agreement that if he or she does it” […]

Billion-Dollar Question: Can Contemporary Art Keep Climbing?

Words like “surreal” and “dizzying” were used a lot over the last couple of weeks to describe the atmosphere at major fall auctions of Impressionist, modern and especially contemporary art at Christie’s and Sotheby’s, as prices for individual works shattered records, hitting new nine-figure highs, and overall sales of contemporary art surged to a new […]