Damien Hirst to show new spot paintings at 18th-century mansion

Exhibition of Colour Space paintings will open in March in the gilded state rooms of Houghton Hall in Norfolk. Damien Hirst is to take over the spectacular gilded state rooms of Britain’s finest Palladian mansion to show a new series of his long-running spot paintings. The Colour Space works, two of which can be seen here […]

New Damien Hirst Paintings to Be Exhibited in Stately British Home

The British artist Damien Hirst will exhibit new works from his series of spot paintings at a stately home in Britain. The exhibition, titled “Colour Space,” will open in March at Houghton Hall in Norfolk, in the southeast of England; the mansion was built in the 1720s for Britain’s first prime minister, Robert Walpole. Roughly 50 of […]

The Kippenberger Conundrum: How the Wildly Prolific Artist’s Artist Became an Eight-Figure Auction Darling

It was the peak of the 2014 fall auction season in New York, and though nearly two decades had gone by since Martin Kippenberger’s death of liver failure in 1997, the artist’s market had never been hotter. Prior to its bellwether postwar and contemporary evening sale, Christie’s had set the estimate for a prized 1988 […]

Art-Fair Economics: Why Small Galleries Do Art Fairs Even When They Don’t Make Money

As the middle market shrinks, many dealers are finding they can’t afford to do fairs—but they can’t afford not to, either. Think art fairs are all about sold-out booths, comfortable shoes, and exclusive dinner invitations? Think again. For many small to mid-size galleries, fairs—like Art Basel in Basel, which opens to VIPs today—are an increasingly […]

Art is not a luxury product like Hermes bags: Larry Gagosian (Video)

Gagosian Gallery owner Larry Gagosian on Friday explained why he doesn’t consider art to be a “luxury good” and how the art world has benefited from globalization. “It’s not a luxury good. It’s not a luxury product. I mean it may appear to people who buy Hermes bags, but it’s not a Hermes bag. Sometimes […]

The Weight of History: Richard Serra’s Sculpture and Drawings

Richard Serra told us that he came to a place in his work where he didn’t want people to be simply looking at a single object; he wanted them to experience the work by going through it. “Yes, the walk into, through and around,” he said, so on November 5, 2017, on the morning after […]

The False Narrative of Damien Hirst’s Rise and Fall

The rise and fall of Damien Hirst is an oft-told tale of hubris and nemesis. An art-world superstar in the nineteen-nineties and early two-thousands, Hirst made white-hot works—the most infamous of which involved animals immersed in formaldehyde—whose prices only ever went up. He got rich, his galleries got rich, his collectors got rich, everybody was happy. But, then, […]

The Art Market Moves East: How Gagosian, David Zwirner, and 14 Other Western Art Businesses Are Trying to Expand to Asia

China has been described as “the largest growth market for the art business, anywhere.” See how auctioneers and dealers are tapping into it. In the past year alone, no fewer than six galleries have opened or announced plans to open an outpost or office somewhere in Asia. Amid announcement after announcement, it may feel like […]

Jeff Koons Gives it Up to The Masters

Whitewall met with the artist in his sprawling Chelsea studio just days after his “Masters” collection launched for Louis Vuitton, a project he saw as quite public and accessible, too. The special line puts the work of Da Vinci, Titian, Rubens, Fragonard, and Van Gogh on accessories like bags and scarves, touting the name of each master in bold reflective metal […]

The Gray Market: Why Museums Can’t Compete With Private Collectors (and Other Insights)

FALSE EQUIVALENCE: Although I always advise caution about these reports, sales at this year’s freshly entombed Frieze and Frieze Masters were allegedly strong from the jump. Numerous exhibitors were eager to broadcast their results (or at least, pretend to) on VIP preview night. But rather than resurrect the issue of dubious honesty from self-interested actors in a consequence-free […]

Q & A with Jeff Koons on his new Gagosian show, his MOCA award and what’s behind those Louis Vuitton bags

Jeff Koons is having a moment — again. The artist’s solo show of new and recent works, his first here in five years, opens at Gagosian gallery in Beverly Hills on Thursday. He’s also being honored at the annual Museum of Contemporary Art gala on Saturday. When I went to art school, I was very […]

One Man’s Trash Is Damien Hirst’s Treasure: In Venice, the Artist Offers His Grandest Work Yet

Damien Hirst sold a lie, and he sold it very well. In the weeks leading up to his grand exhibition that now occupies all of the Punta Della Dogana and Palazzo Grassi in Venice, he gave out very little information: just a series of teasers on social media—Instagram footage of divers resurrecting unknown objects from […]

Here’s Why Damien Hirst’s Art Market Is Not as Terrible as It Looks

A deep dive into the British artist’s prices as he attempts a comeback. After years of sluggish auction prices, is Damien Hirst poised for a comeback? In 2008, the British artist bypassed the gallery system to bring 167 newly created artworks straight to the auction block. The unprecedented sale upended every market convention and raked […]

Beer with a Painter: Albert Oehlen

The long-reigning bad boy of German painting has consistently poked and prodded at whatever preciousness we associate with the medium. The long-reigning bad boy of German painting has consistently poked and prodded at whatever preciousness we associate with the medium. Early in his career, fueled by his association with Martin Kippenberger and other Junge Wildeartists, he […]

Sir Howard Hodgkin obituary: One of Britain’s greatest abstract painters of the post-war period

Turner Prize winner Sir Howard Hodgkin, considered among Britain’s finest contemporary artists, saw his paintings as distilled memories and created abstract evocations of emotion with potent, compelling use of colour. Sir Howard Hodgkin, who has died aged 84, was something of a rebel, though anyone meeting him for the first time would not readily have guessed […]

Why the Upper East Side Is the Best Place to See Art in New York

Artspace Article Published: April 3, 2016: Stretched out alongside the east flank of Central Park like a satisfied cat lying in the sun, the Upper East Side—longtime home to tycoons and celebrities—is still the most luxe neighborhood in New York City, where foreign billionaires plant their money in $100 million manses and ridiculous trend stories […]

Hans-Ulrich Obrist tops list of art world’s most powerful

Artistic director of London’s Serpentine Galleries, dubbed ‘curator who never sleeps’, wins ArtReview’s accolade for second time.  Hans-Ulrich Obrist, the artistic director of London’s Serpentine Galleries dubbed as the “curator who never sleeps”, has topped this year’s ArtReview Power 100 of the most influential people in the art world. It is the second time Obrist […]

The Middle Market Squeeze, Part II: Galleries Get a Reality Check

Every age gets the kind of gallery it deserves. In August of 2015, ex-gallerist, private dealer, art fair director, and author Ed Winkleman published his second book on contemporary art galleries in six years. Titled Selling Contemporary Art: How to Navigate the Evolving Market(Allworth Press), the book provides what an Amazon online review calls an […]

Talk – Collecting Contemporary Art, Audain Art Museum, Whistler, Canada

Laing Brown is an art collector who is interested in ideas. Brown, chair of the Audain Art Museum acquisitions committee and an external advisor to the acquisitions committee of the National Gallery of Canada, has just returned from Britain, where he went to check out Frieze London, where 160 of the world’s top commercial galleries […]

Clean, Well-Lighted Places: On Our Nostalgia for the Golden Age of Art Dealing

The notion that collectors sit atop the hierarchy of today’s art world is axiomatic. They build private museums and control the boards of traditional ones. Through their acquisitions, they determine the fates of artists, and often overshadow curators, historians, and critics—all those ink-stained intellectuals who used to play a larger role in determining art’s value. […]