How Does the Art World Live With Itself?

The lush new art-world documentary The Price of Everything shows us a system so waist-deep in hypermarketing and excess that it’s hard to look at art without being overcome by money, prices, auctions, art fairs, celebrities, well-known artists, and mega-collectors who fancy themselves conquistadors. In this, it’s a lot like most recent accounts of the art world […]

NYT Review: ‘The Price of Everything’ Asks $56 Billion Questions About Art

“There are a lot of people who know the price of everything and the value of nothing,” the art collector Stefan Edlis remarks in Nathaniel Kahn’s new documentary. The words, unattributed in the film and the source of its title, come from “Lady Windermere’s Fan” by Oscar Wilde, where they supply the definition of a cynic. But […]

My Life As a Failed Artist – Jerry Saltz

Decades after giving up the dream for good, an art critic returns to the work he’d devoted his life to, then abandoned — but never really forgot. It pains me to say it, but I am a failed artist. “Pains me” because nothing in my life has given me the boundless psychic bliss of making […]

The Kippenberger Conundrum: How the Wildly Prolific Artist’s Artist Became an Eight-Figure Auction Darling

It was the peak of the 2014 fall auction season in New York, and though nearly two decades had gone by since Martin Kippenberger’s death of liver failure in 1997, the artist’s market had never been hotter. Prior to its bellwether postwar and contemporary evening sale, Christie’s had set the estimate for a prized 1988 […]

The State of Cool Britannia: Art Market in Review

When in the late 1980s and early 1990s, the Young British Artists announced themselves in an alcohol-fueled cacophony of controversy it looked as though the British art scene would never be the same again. Here was a media-savvy group untrammeled by artistic or behavioral politeness. Shock and outrage were a key part of their modus […]

Jeff Koons Gives it Up to The Masters

Whitewall met with the artist in his sprawling Chelsea studio just days after his “Masters” collection launched for Louis Vuitton, a project he saw as quite public and accessible, too. The special line puts the work of Da Vinci, Titian, Rubens, Fragonard, and Van Gogh on accessories like bags and scarves, touting the name of each master in bold reflective metal […]

Who Are the Most Influential Artists of the Last Century? 26 Industry Leaders Weigh In

Which artist defined the last 100 years—and continues to reverberate in the work of artists today? In 2017, a century since Marcel Duchamp turned a readymade urinal into an artwork, we’ve wondered how to characterize the past 100 years in art, posing challenging questions to some of the industry’s brightest figures: What are this century’s most iconic works […]

The Gray Market: Why Museums Can’t Compete With Private Collectors (and Other Insights)

FALSE EQUIVALENCE: Although I always advise caution about these reports, sales at this year’s freshly entombed Frieze and Frieze Masters were allegedly strong from the jump. Numerous exhibitors were eager to broadcast their results (or at least, pretend to) on VIP preview night. But rather than resurrect the issue of dubious honesty from self-interested actors in a consequence-free […]

Let This Be Your Guide: 7 Famous Artists Describe Their Favorite Artworks at The Met

When a single work at the Metropolitan Museum of Art catches your attention and stops you in your tracks, it can feel like you’ve unearthed a hidden treasure. In Phaidon’s upcoming book The Artist Project: What Artists See When They Look at Art, over 100 artists reflect on this same experience—the moment when an artwork from the Met’s collection overwhelmed […]

Q & A with Jeff Koons on his new Gagosian show, his MOCA award and what’s behind those Louis Vuitton bags

Jeff Koons is having a moment — again. The artist’s solo show of new and recent works, his first here in five years, opens at Gagosian gallery in Beverly Hills on Thursday. He’s also being honored at the annual Museum of Contemporary Art gala on Saturday. When I went to art school, I was very […]

Here’s Why Damien Hirst’s Art Market Is Not as Terrible as It Looks

A deep dive into the British artist’s prices as he attempts a comeback. After years of sluggish auction prices, is Damien Hirst poised for a comeback? In 2008, the British artist bypassed the gallery system to bring 167 newly created artworks straight to the auction block. The unprecedented sale upended every market convention and raked […]

Damien Hirst, Treasures from the Wreck of the Unbelievable, review: this spectacular failure could be the shipwreck of his career

After months of speculation, rumour, and stage-managed hype, Damien Hirst’s latest extravaganza is finally opening in Venice – and, my goodness, it’s enormous. With 190 works of art, displayed across 54,000 square feet of gallery space, Treasures from the Wreck of the Unbelievable, as the exhibition is called, is arranged across two venues: Palazzo Grassi, […]

Kerry James Marshall: ‘As an artist, everything should be a challenge’

Born in Birmingham, Alabama, Kerry James Marshall taught himself to draw and made his first paintings in Harlem YMCA. As a major retrospective opens in LA, he talks about taking on the Old Masters. The day before the crowds get in to his critically praised retrospective, Kerry James Marshall is walking around the Museum of […]

As Duchamp’s ‘Fountain’ Turns 100: 14 Iconic Artworks It Inspired

Discover the enduring legacy of the readymade in works by Manzoni, Koons, Hirst, Emin … Marcel Duchamp’s Fountain hardly needs an introduction. Celebrating its 100th anniversary this year, the work was originally submitted for display at the 1917 exhibition of the Society of Independent Artists in New York City. Famously rejected by the committee, Duchamp instead exhibited the work at Alfred […]

Why Courbet’s The Origin of the World is so popular—and it’s not what you think

Our most-read story of 2016 was about Facebook’s legal battle over the French master’s work. Here’s why it still causes a stir, 100 years on. Gustave Courbet’s The Origin of the World (1866) a painting of a woman’s “lower groin” (bas-ventre), as the writer Edmond de Goncourt coyly described it in June 1889, is as […]

Hans-Ulrich Obrist tops list of art world’s most powerful

Artistic director of London’s Serpentine Galleries, dubbed ‘curator who never sleeps’, wins ArtReview’s accolade for second time.  Hans-Ulrich Obrist, the artistic director of London’s Serpentine Galleries dubbed as the “curator who never sleeps”, has topped this year’s ArtReview Power 100 of the most influential people in the art world. It is the second time Obrist […]

For Art Dealers, the Place to Be Is Still London

These are early days, but the Hieronymus Bosch vision of a socioeconomic apocalypse that many feared would follow Britain’s June 23 vote to leave the European Union has yet to materialize.  True, the pound has lost about 10 percent of its value against other major currencies, and a huge amount of political uncertainty still remains, […]

The Top 10 Most Expensive Living American Artists of 2016

Each year, artnet News rounds up the art world’s top-performing artists at auction, across categories. But as the 2016 results come in from the first half of auction season, not much has changed since we last mined theartnet Price Database to identify the most expensive living American artists of 2015—which isn’t a good thing. Similar to […]

Real Estate for the 1 Percent, With Art for the Masses

THE sculptor Richard Serra, a stickler about the differences between art and architecture, once described most public sculpture in urban architectural settings as “displaced, homeless, overblown objects that say, ‘We represent modern art.’” For most of the last century, residential and commercial developments in New York City tended to marry architecture and art with that […]

Jordan Wolfson’s Creepy Robot Art Reboots Jeff Koons

Jordan Wolfson’s art delights me a little—which may be a strange thing to say for an artist whose most recent installation centers on a human-like robot being brutally tortured for the entertainment of its spectators. But Wolfson (b. 1980) delights me because I have this hypothesis that contemporary art—one of its strands, at least, particularly the […]