What Makes Museums Great?

Money, morals and metrics In such stormy times, what does it mean for a museum to be successful? For this, our 101st issue of In Other Words, we asked directors around the world how they evaluate achievement. From balancing the books to broadening the conversation; from creating communities to provoking public debate, museums have complex […]

Kerry James Marshall: ‘As an artist, everything should be a challenge’

Born in Birmingham, Alabama, Kerry James Marshall taught himself to draw and made his first paintings in Harlem YMCA. As a major retrospective opens in LA, he talks about taking on the Old Masters. The day before the crowds get in to his critically praised retrospective, Kerry James Marshall is walking around the Museum of […]

artnet Asks: American Artist Liz Glynn

It is not surprising to learn that the Los Angeles-based artist Liz Glynn studied environmental studies at Harvard before pursuing a master’s degree at the California Institute of the Arts. Indeed, her multidisciplinary sculptures, installations and performances—which often employ found items and materials—seem to suggest the redemptive power of salvage, and are marked by an […]

Mapplethorpe Print at Center of Culture Wars Returns to Public Eye

Twenty-five years ago this month, a Cincinnati jury wrote an exclamation point into the story of the culture wars that were raging through art museums and academia. The jury acquitted that city’s Contemporary Arts Center and its director of criminal obscenity charges for exhibiting a group of photographs by Robert Mapplethorpe, graphic sexual images that […]

John Baldessari’s Unforgivingly Humorous Art

When John Baldessari started creating his text paintings in the mid 1960s, only a handful of artists had ever trifled with the idea. There were Roy Lichtenstein‘s paintings from comics, and the Cubists had integrated newspaper clippings in their work, but nobody had been brave enough to exhibit paintings that simply offered text. For one […]

John Baldessari’s Unforgivingly Humorous Art

When John Baldessari started creating his text paintings in the mid 1960s, only a handful of artists had ever trifled with the idea. For one of his early text paintings, Baldessari chose a simple phrase that offered a perfect example of the layered meanings his work is often able to express with extremely limited means: “Pure Beauty.”