The State of Cool Britannia: Art Market in Review

When in the late 1980s and early 1990s, the Young British Artists announced themselves in an alcohol-fueled cacophony of controversy it looked as though the British art scene would never be the same again. Here was a media-savvy group untrammeled by artistic or behavioral politeness. Shock and outrage were a key part of their modus […]

What 5 of the World’s Riskiest Art Buys Tell Us About Collecting Art Today

As the art world braces for an estimated $2 billion fall auction season in the next few weeks, it’s no secret that the global art market is moving ahead at a rapid-fire pace. The stakes appear higher than ever with an unprecedented number of seven-, eight-, even nine-figure works on the auction block. While headlines […]

At White Cube, Sculptor Marc Quinn Turns Over a Thoughtful New Leaf

Marc Quinn’s last London show, five years ago, featured figurative sculptures of defiantly non-Classical subjects including pregnant men, women with penises and a lady called Chelsea Charms who apparently has the dubious honor of possessing the largest breasts on planet earth (although the fickle nature of this kind of fame means she may no longer […]

Marc Quinn: Evolving as an Artist and Social Chronicler

LONDON — Marc Quinn led the way through his East London studio late last month, past a marble sculpture of a fetus, a photorealist painting of raw meat and a bronze statue of Kate Moss in a yoga position. Entering his workroom, he casually walked over distorted three-dimensional canvases of seascapes strewn across the floor. […]

10 Exhibitions That Changed the Course of Contemporary Art

If the title of Jens Hoffmann‘s latest exhibition. “Other Primary Structures,” rings a bell, it’s because it’s a revisiting one of the most important American art exhibitions of the 20th century: “Primary Structures: Younger American and British Sculptors,” the 1966 exhibition organized at the same museum by the pathbreaking curator Kynaston McShine that changed the aesthetic course of American art. […]