100 Years of Dadaism – Influence and Genius of the First Avant-Garde Art Movement

“I could have done that” is a cynical statement that I’m sure we’ve all come across at some point. Some artists occasionally feel invited to respond rudely to the dilettantish comment (and sadly, very often with the similar amount of ignorance). The truth is that there was a series of events that preceded the multivalent […]

100 Years On, Why Dada Still Matters

“How does one achieve eternal bliss? By saying dada,” proclaimed the poet, musician, and theater producer Hugo Ball in the summer of 1916, as World War I raged on. “How does one become famous? By saying dada…How can one get rid of everything that smacks of journalism, worms, everything nice and right, blinkered, moralistic, Europeanized, enervated? By […]

The false Gods of Dada: on Dada Presentism by Maria Stavrinaki

A new book on the movement draws lessons on the dangers of eclecticism. In the final chapter of the art historian Maria Stavrinaki’s new book, Dada Presentism, she imagines the origin of Dada as an immaculate conception. “Who, in fact, did invent Dada?” she asks. “Everyone and no one.” Amidst the devastation of the First […]

100 Years Ago Today, Dada Was Born at Cabaret Voltaire in Zurich

100 years ago today, on February 5, 1916, the now-legendary Cabaret Voltaire—the artist hangout that gave birth to the Dada movement—was opened in Zurich. Dada—which advocated coincidence as a leading creative principle—deliberately contravened all known and traditional artistic styles at the time. It was championed by Hugo Ball, Tristan Tzara, Richard Huelsenbeck, Hans Arp, Sophie Taeuber-Arp, […]