Ai Weiwei proclaimed that “art is a very important weapon to achieve human freedom.” When examining the civil rights movement, there is no doubt that art played a pivotal role in shaping and advancing the fight for equality. Throughout the era, countless artists reacted to issues of violent racism, segregation, and black identity in the United […]
Turning bodies into paint brushes, Carolee Schneemann’s performances, films and art still startle, as a retrospective at MoMA PS1 shows. Some people in the art world say that #MeToo has gone too far. What modern misogynist will be yanked from museums next? Gauguin? Picasso? I say, sure, why not? Let’s set them aside for awhile, […]
Year 2017 saw its fair share of controversies, culture wars, and political upheavals, and in some ways, it seems like the art world has run parallel to mainstream culture more than ever in recent decades. Artists have not only responded to the difficult issues that have come to light this year; some have raised controversy […]
The fall art season is quickly upon us as galleries in New York return from their August hibernation and bring out key shows to chase away the summer languor. To help you navigate the mess of fall openings, we offer up a calendar of some of the exhibitions we’re most anticipating at museums and galleries […]
As scaffolding went up around the former Folk Art Museum building on Tuesday, one of its two architects broke his silence to say how devastated he and his partner are about the Museum of Modern Art’s decision to tear down “one of our most important buildings to date.” “Yes, all buildings one day will turn […]
2017 will mark the 100th anniversary of the day Marcel Duchamp walked into the Society of Independent Artists lugging a porcelain urinal he had purchased at 5th Avenue’s J. L. Mott Iron Works and submitted it as a “readymade” sculpture. Duchamp’s radical and audacious gesture was met, at the time, with shock and indignation—it was literally hidden away behind a screen during the […]
For the past decade Jon Kessler, the artist and professor in Columbia University‘s Visual Arts program, has been using his character the Global Village Idiot as a way to explore themes of surveillance, interconnectivity, and the slippage between reality and fiction that is created by the forces of digital technology and the Internet. A visionary who appears […]
Kelley’s cynicism, deftness with appropriation, and oddball subversiveness is introduced immediately in the exhibition space. “Entry Way (Genealogical Chart)” (1995) is a wall-mounted sculpture loaded with iconic symbols and logos one might find upon entering a small town in America—Kiwanis Club, 4-H, Masonic Lodge, Goodwill.