A Canadian Museum Promotes Indigenous Art. But Don’t Call It ‘Indian.’

Will a debate over terminology at the Art Gallery of Ontario help the progress of artists who are underrepresented in United States museums? TORONTO — A group of visitors young and old gathered at the Art Gallery of Ontario in front of a well-known Canadian painting the docent called “Church in Yuquot Village.” It was […]

Is Everything We Know About Gallery E-Commerce Wrong? How David Zwirner and Gagosian’s New Initiatives Break the Rules

With their new online viewing rooms, the mega-galleries are challenging ideas about what can (and can’t) sell online in a changing art market. Galleries have been offering works to buyers digitally since at least the early days of smartphones. But back then, emailed JPGs and PDF checklists were usually used to whet clients’ appetites for […]

THE SNOWBALL EFFECT

Bruce Hainley on Elena Filipovic’s David Hammons: Bliz-aard Ball Sale. IN 1983, David Hammons held his Bliz-aard Ball Sale, which “probably didn’t bear that title, or any title at all,” as Elena Filipovic discloses in her amazing exposition on the artist’s chill maneuvers. Meanwhile, six months or so later, at a coven sponsored by the National Endowment for the Arts, Rosalind Krauss informed the […]

Billy Apple in Hong Kong: In Focus

To present 21 works in Hong Kong, spanning approximately six decades (1962–2018), is an unusual occasion for Billy Apple, a groundbreaking New Zealand-born artist whose pop-infused conceptual practice is mostly acknowledged in New Zealand, England (where he studied and worked from 1959 to 1964) and the United States (where he lived from 1964 to 1990). Titled Billy Apple® […]

Adrian Piper’s Show at MoMA is the Largest Ever for a Living Artist. Why Hasn’t She Seen It?

The conceptual artist’s life and work push against the boundaries of race and identity in America. Adrian Piper, the conceptual artist and analytic philosopher, is almost as well known for what she has stopped doing as for what she has done. By 1985, she had given up alcohol, meat and sex. In 2005, she took […]

Richard Long review – modern primitive sees the cosmos reflected in mud

The wandering artist’s perennial walks have led him to contemplate sun, moon and stars with the devoted awe of mankind’s early ancestors.  Mud is not a promising medium to draw with. It is dull, thick, unpromising stuff. A muddy drawing sounds like a vague and boring one. Miraculously, however – or maybe just because he’s […]

Museums Shake Things Up by Mixing Old and New

HAARLEM, the Netherlands — Frans Hals, a Dutch Golden Age portraitist of wealthy merchants and jolly rogues, was popular and successful in his lifetime, but before he died, he fell out of fashion. His loose, bold brush strokes were too rough for the 18th century. But the Impressionists rediscovered him in the 19th century, and […]

Adrian Piper: The Thinking Canvas

She’s an artist and scholar, and at “A Synthesis of Intuitions” you see thinking — about gender, racism, art — happening before your eyes. “Adrian Piper: A Synthesis of Intuitions, 1965-2016” at the Museum of Modern Art is a clarifying and complicating 50-year view of a major American artist’s career. It is also an image-altering […]

A leap into space: Malevich’s Suprematist Composition

How this 1916 canvas, included in every major survey of Malevich’s Suprematist works mounted during his lifetime, revolutionised modern art. On 15 May it is offered in the Impressionist and Modern Art Evening Sale  in New York. On 17 December 1915, a series of new paintings by the Russo-Polish artist Kazimir Malevich (1878-1935) was exhibited in the Dobychina Art […]

Cy Twombly, Redefined by His Drawings

The gathering of works in Chelsea reconfigures the general sense of Twombly (1928-2011) as a lanky, slow-moving, ever-relaxed Southerner who worked in fits and starts and soaked up the good life on Italy’s Amalfi Coast or in Lexington, Va. — his birthplace, to which he returned in his later years. In its stead is a […]

Cy Twombly and the Transporting, Transforming Power of Art That Barely Uses the Tools of Art

The first time I saw Cy Twombly’s aphrodisiacal paintings, I felt the way Patti Smith felt when first hearing the Rolling Stones: “I was doing all my thinking between my legs.” Something unrecognizable and distorted within me quivered. Twombly’s fevered phosphorescent blooms of runny jellyfish chrysanthemums with elongated, pulpy, tentacle-like sacks dripping down; his iridescent […]

How to Tell if an Artwork is Fake

Confirming the authenticity of an artwork crucial before buying. We give 5 key factors to consider and uncover some of the most shocking forgery cases in art history The notion of a forger conjures up a the image of a cartoonish criminal painting a knock-off da Vinci in some kind of darkened attic. But many […]

Damien Hirst Falling Off The Grid – Houghton Hall – Paul Carter Robinson

Last week I was a guest at the magnificent Houghton Hall, one of the most impressive Palladian houses in Britain. This is a house steeped in history and surprisingly still in the hands of the original descendants of Sir Robert Walpole, the first Prime Minister of Britain. Houghton Hall with its lavish interior design and […]

Cy Twombly’s Extravagant Synesthesia

Rosalind Krauss misreads Twombly in more ways than I can enumerate. In her essay, “Cy was here: Cy’s up” (ArtForum, September 1994), Rosalind Krauss made this observation about Cy Twombly: Twombly “misreads” Pollock’s mark as graffiti, as violent, as a type of antiform. And this misreading becomes the basis of all of Twombly’s work. Thus […]

Damien Hirst’s Post-Venice, Post-Truth World

The artist worked in secret on his first love, painting, for his new show. This is the anti-Venice, he says. LOS ANGELES — In army green camouflage and black sweats and with two heavy gold chains swinging with each step of his Nikes, Damien Hirst was in an unusually quiet mood. Sipping from a can […]

Team Gallery’s Jose Freire on Why He Is Quitting Art Fairs for Good – Part I

The veteran art dealer explains why he has soured on the art market’s central apparatus. The central driver of the modern-day art market, at least when it comes to galleries, is art fairs. They promise efficiency: for a hefty booth fee (plus travel and shipping costs), dealers from around the world can convene in a […]

Answering Society’s Thorniest Questions, With Performance Art

Pope.L, photographed in his Chicago studio this past December. For the last four decades, the artist has created intense, often provocative performances. Now that he is not only an artist of renown but also a father and a professor, Pope.L’s ambivalence about his own authority hasn’t abated. If anything, his responsibilities have made him feel […]

Allan Kaprow, Before the Happenings

Considered the Father of the Happening, Kaprow started off as a painter whose work reflected a Cubist-inspired, pre-AbEx aesthetic. In his essay for the catalogue accompanying the exhibition ALLAN KAPROW. PAINTINGS NEW YORK at Hauser & Wirth’s uptown outpost, art historian Philip Ursprung describes Kaprow’s progression from painting to performance in three swift strokes: The story began […]

Young Painters Are Trying to Kill Me, Says the German Artist Albert Oehlen—But He’s Cool With It

As his new paintings and drawings go on view in Los Angeles and Berlin, the artist reflects on his experience as a young artist in Berlin in the ’70s. Albert Oehlen is something of a living legend. He might be 63, but his reputation as an enfant terrible remains. There’s something eternally youthful about the German painter, who first […]

5 Empowering Artworks (and Exhibitions) Made During the Civil Rights Movement

Ai Weiwei proclaimed that “art is a very important weapon to achieve human freedom.” When examining the civil rights movement, there is no doubt that art played a pivotal role in shaping and advancing the fight for equality. Throughout the era, countless artists reacted to issues of violent racism, segregation, and black identity in the United […]