artnet Asks: American Artist Liz Glynn

It is not surprising to learn that the Los Angeles-based artist Liz Glynn studied environmental studies at Harvard before pursuing a master’s degree at the California Institute of the Arts. Indeed, her multidisciplinary sculptures, installations and performances—which often employ found items and materials—seem to suggest the redemptive power of salvage, and are marked by an […]

Hans Haacke on “Gift Horse,” Gulf Labor, and Artist Resale Royalties

Early last March, London’s Conservative mayor Boris Johnson unveiled Hans Haacke’s “Gift Horse,” the tenth commission installed on Trafalgar Square’s Fourth Plinth. Described on the Greater London Authority’s website as a rumination on the “link[s] between power, money, and history,” “Gift Horse” consists of a bronze horse skeleton and a live electronic ticker of the […]

The Art of Good Business: Hans Haacke Goes After a Koch, Readies London Plinth

Anyone in need of a potent antidote to the feeding frenzy at Art Basel Miami Beach last week should head right now to Paula Cooper Gallery’s second-floor space at 521 West 21st Street in West Chelsea. On view there is a solo show by the German–born, New York–based artist Hans Haacke, whose six-decade career is […]

A century of the readymade

Duchamp’s influence is in evidence at the fair, but can today’s artists reimagine his idea? One hundred years after Marcel Duchamp invented the readymade, his influence reverberates around Art Basel. Overt references include the late Elaine Sturtevant’s Duchamp Porte Bouteilles, 1993, suspended from the ceiling at Galerie Hans Mayer (2.0/E8). The work, which sold to […]