Rachel Whiteread review – accentuate the negative

Tate Britain, London Whiteread’s inside-out casts of everything from hot-water bottles to chicken sheds are poised between banality and a spellbinding poetry of the past. There is a small white shack on the lawn in front of Tate Britain. It looks exactly like the very thing it is, namely the concrete cast of a chicken shed. […]

Rachel Whiteread and Antony Gormley: this week’s best UK exhibitions

1 Rachel Whiteread The ghostly power of Whiteread’s casts is one of modern British art’s wonders. Her sculptures – preserving the shapes of lost objects – combine the authority of abstraction with the spookiness of Victorian photographs. Her work has a poetic intensity that has not diminished since she created her now-demolished public sculpture House in […]

Rachel Whiteread Talks To Sue Hubbard About Her New Exhibition At Tate Britain

Trying to get hold of Rachel Whiteread to talk about her new exhibition at Tate Britain, her largest to date, is rather like attempting to gain an audience at the White House. The Tate only gives me a strict half an hour but she walks me round the show before it opens as the technicians beaver away, happy that […]

Three to see: London (Rachel Whiteread)

From Rachel Whiteread’s mummified air to the burial rituals of the mysterious Scythians. On very special occasions, Tate Britain’s 1979 extension is opened up into a vast, single, top-lit space. This is the case for Rachel Whiteread’s career survey (until 21 January 2018) of 30 years of work, from breakthrough sculptures made the year after she graduated […]

Rachel Whiteread exhibition review – the secret life of things *****

Sinks, baths, stairs, hot-water bottles, beehives and the space beneath chairs … a walk through Rachel Whiteread’s casts is a journey into a common landscape made strange Some of her more recent casts of cabins and sheds have been permanently located in out-of-the way places, to be discovered by chance (just imagining them baking in […]

Celebrating over 25 years of Rachel Whiteread’s internationally acclaimed sculpture – video

One of Britain’s leading contemporary artists, Whiteread uses industrial materials such as plaster, concrete, resin, rubber and metal to cast everyday objects and architectural space. Her evocative sculptures range from the intimate to the monumental. Born in London in 1963, Whiteread was the first woman to win the Turner Prize in 1993. The same year she made House 1993–1994, a […]

Rachel Whiteread: thinking inside the box

Once a key part of a generation of artists who transformed east London, the sculptor talks to Eva Wiseman about doll’s houses, her fellow YBAs, and why she left Shoreditch. It’s 24 years since Whiteread, then 30, cast the last remaining property in a demolished terrace in Bow, east London, in liquid concrete, sparking debates […]

Glow-getter: Cerith Wyn Evans’ Tate Britain installation is a neon knock-out Read more at http://www.wallpaper.com/art/neon-knock-out-cerith-wyn-evans-writes-with-light-at-tate-britain#cJhxH2wPUWmxJp6Y.99

Welsh artist Cerith Wyn Evans is more familiar than most with London’s Tate Britain. He strolled its iconic galleries as a guard in the late seventies, while studying at Central St Martins. With a beautiful sense of symmetry, he has returned 40 years later, as a much celebrated artist. Wyn Evans’ new masterwork, Forms in […]

Cerith Wyn Evans: Deciphering the Code

Withth two kilometres’ worth of white neon tubing arranged in dazzling arrays of lines and curves high above the Duveen Galleries’ polished floors, Forms in Space… by Light (in Time), Cerith Wyn Evans’s installation for this year’s Tate Britain Commission (of which Sotheby’s is a sponsor) cannot be mistaken for another artist’s work. Born in […]

Cerith Wyn Evans: Forms in Space … by Light (in Time) review – an optical trapeze act

The Welsh artist unveils 2km of neon suspended in mid-air – and it’s an adventure playground for the eyes. It all begins with a white neon O, hanging above our heads like the shape the lips make before an exclamation. Or a spyglass aimed at the chaos beyond.  Suspended partway down the long Duveen Gallery […]

Rachel Whiteread: thinking inside the box

Once a key part of a generation of artists who transformed east London, the sculptor talks to Eva Wiseman about doll’s houses, her fellow YBAs, and why she left Shoreditch. It’s 24 years since Whiteread, then 30, cast the last remaining property in a demolished terrace in Bow, east London, in liquid concrete, sparking debates […]

A Luminous Look at Turner’s Port Paintings

An exhibition at the Frick Collection unites for the first time three of J.M.W. Turner’s 1820s port paintings, created in an age of newly open borders in Europe. As Ian Wardropper, director of the Frick Collection in Manhattan, remarked at the preview for the new exhibition Turner’s Modern and Ancient Ports: Passages through Time, J.M.W. Turner created […]

20 Great Exhibitions in Europe We’re Excited About in 2016

Looking at the year ahead, we have put together a preview of the best exhibitions to look forward to in Europe in 2016. The good news is, as far as art goes, it looks like it going to be a cracking year. From artnetnews.

The Turner prize show: voices, videos and erotic tickling sticks

Has the Turner prize lost its power to shock? No – thanks to James Richards’s sphincter shots. But it’s Tris Vonna-Michell’s spellbinding spoken-word travelogues that deserve to win. What a heartening way to celebrate 30 years of the Turner prize. People are always saying the Turner, which shocked the nation with Tracey Emin’s unmade bed […]

Tracey Emin’s My Bed is up for sale at what may be a dream price to some

The furore around the work, complete with vodka bottles and pregnancy tests, helped to give lift-off to Emin’s career. Few pieces of art have divided opinion quite like My Bed – in whichTracey Emin claimed to have spent a week after a bad break-up. Complete with vodka bottles, cigarette butts and pregnancy tests, the installation didn’t […]

Phyllida Barlow: Dock, Tate Britain

A joyous celebration of ad hoc creativity fills the Duveen Galleries. The revamping of Tate Britain has produced such an atmosphere of understated elegance that one hardly dares breathe for fear of displacing a particle of dust. An air of suffocating sterility has seeped into the displays, which are so tastefully arranged that even the […]