Rachel Whiteread Retrospective @ Tate Britain

A metal sign among the found objects, tiny moulds, and notebooks, selected and arranged from across Rachel Whiteread’s 30 year career, reads: ‘Ancient Monuments Acts, 1913 and 1931. Any person who injures or defaces this monument may be fined and ordered to pay the costs of repairs or may be imprisoned.’ The display case is […]

Rachel Whiteread and Antony Gormley: this week’s best UK exhibitions

1 Rachel Whiteread The ghostly power of Whiteread’s casts is one of modern British art’s wonders. Her sculptures – preserving the shapes of lost objects – combine the authority of abstraction with the spookiness of Victorian photographs. Her work has a poetic intensity that has not diminished since she created her now-demolished public sculpture House in […]

Rachel Whiteread Talks To Sue Hubbard About Her New Exhibition At Tate Britain

Trying to get hold of Rachel Whiteread to talk about her new exhibition at Tate Britain, her largest to date, is rather like attempting to gain an audience at the White House. The Tate only gives me a strict half an hour but she walks me round the show before it opens as the technicians beaver away, happy that […]

Rachel Whiteread exhibition review – the secret life of things *****

Sinks, baths, stairs, hot-water bottles, beehives and the space beneath chairs … a walk through Rachel Whiteread’s casts is a journey into a common landscape made strange Some of her more recent casts of cabins and sheds have been permanently located in out-of-the way places, to be discovered by chance (just imagining them baking in […]

Rachel Whiteread: thinking inside the box

Once a key part of a generation of artists who transformed east London, the sculptor talks to Eva Wiseman about doll’s houses, her fellow YBAs, and why she left Shoreditch. It’s 24 years since Whiteread, then 30, cast the last remaining property in a demolished terrace in Bow, east London, in liquid concrete, sparking debates […]

Rachel Whiteread: ‘It’s my mission to make things more complicated’

The eminent artist has placed a cast of a shed on New York’s Governors Island, evoking both Thoreau and Trump – a blow for art that takes the viewer by stealth. America is a country of imagination and big dreams, some inspired, some twisted. It is the land of liberty, the open and optimistic birthplace […]

Here’s Why Damien Hirst’s Art Market Is Not as Terrible as It Looks

A deep dive into the British artist’s prices as he attempts a comeback. After years of sluggish auction prices, is Damien Hirst poised for a comeback? In 2008, the British artist bypassed the gallery system to bring 167 newly created artworks straight to the auction block. The unprecedented sale upended every market convention and raked […]

Damien Hirst, Treasures from the Wreck of the Unbelievable, review: this spectacular failure could be the shipwreck of his career

After months of speculation, rumour, and stage-managed hype, Damien Hirst’s latest extravaganza is finally opening in Venice – and, my goodness, it’s enormous. With 190 works of art, displayed across 54,000 square feet of gallery space, Treasures from the Wreck of the Unbelievable, as the exhibition is called, is arranged across two venues: Palazzo Grassi, […]

Damien Hirst’s Incredible Shipwreck Treasures Show in Venice

It’s not hard to see why Damien Hirst’s latest project has been hailed as the British artist’s most important to date. And in fact it is so ambitious and such a departure from anything else he has done that it could just be the work that cements his status as one of the greatest artists […]

Treasures from the Wreck of the Unbelievable, exhibition review: A triumphant return from Damien Hirst

Damien Hirst’s triumphant comeback show in Venice is a timely reflection on fakery, belief, truth and absolutes. Damien Hirst’s new show in Venice, Treasures from the Wreck of the Unbelievable, is a complicated triumph. The labels for the works on display, dozens of objects, many enormous, depicting mythological beings — monsters, ancient royalty, maiden warriors, […]

Damien Hirst: Treasures from the Wreck of the Unbelievable review – a titanic return

Art is magical. It is a fairytale. It can make you rich. It can make you poor. It can turn everything you thought you knew inside out and upside down. It has made Damien Hirst rich, colossally so, and now it has done something else. It has redeemed him. For years he has appeared a […]

Behold the New Vantablack 2.0, the Art Material So Black It Eats Lasers and Flattens Reality

Artists the world over were instantly captivated three years ago when UK-based Surrey NanoSystems announced the invention of Vantablack, the darkest material ever made. And things continue to get darker: The company has been advancing the technology, and released some astonishing photographs and footage of the pigment in action, which have to be seen to be […]

Rachel Whiteread: thinking inside the box

Once a key part of a generation of artists who transformed east London, the sculptor talks to Eva Wiseman about doll’s houses, her fellow YBAs, and why she left Shoreditch. It’s 24 years since Whiteread, then 30, cast the last remaining property in a demolished terrace in Bow, east London, in liquid concrete, sparking debates […]

Sir Howard Hodgkin obituary: One of Britain’s greatest abstract painters of the post-war period

Turner Prize winner Sir Howard Hodgkin, considered among Britain’s finest contemporary artists, saw his paintings as distilled memories and created abstract evocations of emotion with potent, compelling use of colour. Sir Howard Hodgkin, who has died aged 84, was something of a rebel, though anyone meeting him for the first time would not readily have guessed […]

Inside Wolfgang Tillmans’s Superb Tate Modern Survey

The new show feels unquestionably relevant. The opening [today] of “2017,” Wolfgang Tillmans’s survey at Tate Modern, is bringing a much needed breath of fresh air to the London museum, and not because recent exhibitions might have been lackluster—on the contrary, the ongoing Robert Rauschenberg retrospective is a triumph, and the recent solos of Agnes […]

Wolfgang Tillmans review – a rollercoaster ride around the world

Room after room, turn after turn, Wolfgang Tillmans’ Tate Modern exhibition teems with images large and small. Images alone and arrays of larger and smaller photographs, framed and unframed and attached to the wall with bulldog clips, hung high over doorways and shuffled on a table. A young man’s neck, a knee, a hand stuffed […]

Time the Turner prize grew up: why it needs to embrace the over-50s

The Turner prize is looking old – and paradoxically, this is down to its obsession with youth. The prize that did so much to make the Young British Artist movement famous in the 1990s has a rule that to be eligible you have to be under the age of 50. That rule is looking increasingly […]

Talk – Collecting Contemporary Art, Audain Art Museum, Whistler, Canada

Laing Brown is an art collector who is interested in ideas. Brown, chair of the Audain Art Museum acquisitions committee and an external advisor to the acquisitions committee of the National Gallery of Canada, has just returned from Britain, where he went to check out Frieze London, where 160 of the world’s top commercial galleries […]

Who’s Afraid of Conceptual Art?

Dr James Fox has never really got conceptual art. And he’s not alone. Conceptual art has been treated with suspicion and incredulity by virtually everyone outside the art world for nearly a hundred years. Ever since Marcel Duchamp first displayed a signed urinal and claimed it was art in 1917.  So was he taking the […]

Martin Creed on Bloomberg’s ‘Brilliant Ideas’

With works spanning two decades that force us to pause, reflect, and see the world through fresh eyes, Martin Creed has challenged what it means to be an artist. Born in Wakefield, England in 1968, Creed grew up in Scotland where his father worked as a silversmith and lectured at Glasgow School of Art. Creed […]