Artists the world over were instantly captivated three years ago when UK-based Surrey NanoSystems announced the invention of Vantablack, the darkest material ever made. And things continue to get darker: The company has been advancing the technology, and released some astonishing photographs and footage of the pigment in action, which have to be seen to be […]
Once a key part of a generation of artists who transformed east London, the sculptor talks to Eva Wiseman about doll’s houses, her fellow YBAs, and why she left Shoreditch. It’s 24 years since Whiteread, then 30, cast the last remaining property in a demolished terrace in Bow, east London, in liquid concrete, sparking debates […]
Turner Prize winner Sir Howard Hodgkin, considered among Britain’s finest contemporary artists, saw his paintings as distilled memories and created abstract evocations of emotion with potent, compelling use of colour. Sir Howard Hodgkin, who has died aged 84, was something of a rebel, though anyone meeting him for the first time would not readily have guessed […]
The new show feels unquestionably relevant. The opening [today] of “2017,” Wolfgang Tillmans’s survey at Tate Modern, is bringing a much needed breath of fresh air to the London museum, and not because recent exhibitions might have been lackluster—on the contrary, the ongoing Robert Rauschenberg retrospective is a triumph, and the recent solos of Agnes […]
Room after room, turn after turn, Wolfgang Tillmans’ Tate Modern exhibition teems with images large and small. Images alone and arrays of larger and smaller photographs, framed and unframed and attached to the wall with bulldog clips, hung high over doorways and shuffled on a table. A young man’s neck, a knee, a hand stuffed […]
The Turner prize is looking old – and paradoxically, this is down to its obsession with youth. The prize that did so much to make the Young British Artist movement famous in the 1990s has a rule that to be eligible you have to be under the age of 50. That rule is looking increasingly […]
Laing Brown is an art collector who is interested in ideas. Brown, chair of the Audain Art Museum acquisitions committee and an external advisor to the acquisitions committee of the National Gallery of Canada, has just returned from Britain, where he went to check out Frieze London, where 160 of the world’s top commercial galleries […]
Dr James Fox has never really got conceptual art. And he’s not alone. Conceptual art has been treated with suspicion and incredulity by virtually everyone outside the art world for nearly a hundred years. Ever since Marcel Duchamp first displayed a signed urinal and claimed it was art in 1917. So was he taking the […]
With works spanning two decades that force us to pause, reflect, and see the world through fresh eyes, Martin Creed has challenged what it means to be an artist. Born in Wakefield, England in 1968, Creed grew up in Scotland where his father worked as a silversmith and lectured at Glasgow School of Art. Creed […]
“Without tradition, art is a flock of sheep without a shepherd. Without innovation, it is a corpse.” – Sir Winston Churchill Join Laing Brown, a noted art collector, Board Member and Chair of the Audain Art Museum Acquisitions Committee, for a public multi-media presentation where he will discuss his Top 10 Collecting Rules for contemporary […]
Susan Philipsz and John Cage have shown that the genre has claims to greatness, but two works in Edinburgh betray the emptiness of much sound art. Let’s get this straight, sound art buffs: of course art can be made with sound. It can be made with anything. The first masterpiece of sound art is Marcel […]
Anish Kapoor has the exclusive rights to paint using Vantablack, the blackest black that has ever existed – but other artists are keen to use it. Colour is precious. Colour can drive you mad – especially if you are an artist. The colours that artists use can be as expensive as gold – which installationist […]
Antony Gormley says his first White Cube exhibition in four years, which opens in September, is driven by “more of a sense of urgency” than any other show he has done. From the warming of our climate and the acidification of our seas to cities dominated by skyscrapers – “nothing more than expressions of virile […]
Everything is fair game for the Turner Prize-winning artist in a new show at the Park Avenue Armory. The Turner Prize-winning British artist is known for his singular (sometimes gross) sense of humor, sparking debate with seemingly mundane, Duchampian conceptual actions and for nabbing Britain’s coveted Turner Prize by rigging a light switch with a timer. […]
A kind of extended happening, or maybe a series of short ones, has gently taken over the Park Avenue Armory, one of the architectural gems of New York. Numerous moving parts, animate and inanimate, are involved, and they are all the doing of the British maverick Martin Creed, the first artist to be given the […]
The Armory’s 55,000-square-foot central room must make artists who are commissioned to create work there break out in night sweats. Creed’s principal intervention in it, Shutters Opening and Closing (2016), is sure to make them jealous. The darkened hall is nearly empty. The rolling garage door at the back of the space, which looks out […]
Although he can come across as almost pathologically ill at ease and underprepared, the artist is clearly not lacking in confidence. The Armory’s largest space is its drill hall, which actually earns the overused adjective cavernous. Instead of cluttering it with whimsies, Creed has installed a single huge projection of a new work: a music-video-slick […]
“It’s pretty remarkable the armory is letting us do this,” observed Mr. Eccles, who assembled the exhibition in partnership with Hans-Ulrich Obrist, artistic director of the Serpentine Galleries in London. Actually, the exhibition is in the spirit of earlier armory shows spotlighting off-center artists like Paul McCarthy and Christian Boltanski — both of which Mr. […]
Discover how a generation of artists swapped pencils for dumper trucks as they made the world their canvas. In the summer of 1967, while hitchhiking his way from St Martin’s School of Art to his home city of Bristol, the British art student Richard Long stopped in a field in Wiltshire, and walked repeatedly in […]
I meet Martin Creed more than a week before his retrospective What’s the point of it? opens at the Hayward. The gallery is full of 25 years’ worth of improbable, witty, uplifting art; I am especially gladdened by a wall covered in 1,000 prints of broccoli. But the show is not ready yet: the atmosphere […]