Vito Acconci, Transgressive Progenitor of Performance Art, Dies at 77

The Bronx-born artist came to fame in the 1970s with an array of unsettling work. Vito Acconci, a towering figure with influences on both performance art and experimental architecture, has died at the age of 77. A cause of death has not been confirmed by the estate. Born in the Bronx in 1940, Acconci worked as […]

Vito Acconci, Performance Artist and Uncommon Architect, Dies at 77

Vito Acconci, a father of performance and video art and a shamanistic, poetic, deeply influential force on the New York art scene for decades, died on Thursday in Manhattan. He was 77. Some performances might have gotten him arrested, though Mr. Acconci also seemed to possess the instincts of a cat burglar. In one of […]

artnet News Critics’ Picks: The Most Memorable Artworks of 2016

While 2016 may have been pretty awful on any number of fronts, we have to admit that it also gave us a lot of pretty great art. Consider Maurizio Cattelan alone, who gave us a solid gold toilet to relieve ourselves on at New York’s Guggenheim Museum, a real life donkey, pooping in the tent […]

How to Think About Conceptual Art

There has been a lot of bickering about what Conceptual art is/was; who began it; who did what when with it; what its goals, philosophy, and politics were and might have been. I was there, but I don’t trust my memory. I don’t trust anyone else’s either.  – Lucy Lippard, “Escape Attempts” The term “concept art” […]

Bidding Up: Escalating Prices are Putting Pressure on Dealers to Double Down on their Own Artists

When artists agree to be represented by a gallery, they usually work out with the gallery owner such matters as the amount of the dealer’s commission; how often their work will be exhibited in solo or group shows; the price of their artworks; that sort of thing. Another expectation, usually not as explicitly stated but increasingly […]

10 Exhibitions That Changed the Course of Contemporary Art

If the title of Jens Hoffmann‘s latest exhibition. “Other Primary Structures,” rings a bell, it’s because it’s a revisiting one of the most important American art exhibitions of the 20th century: “Primary Structures: Younger American and British Sculptors,” the 1966 exhibition organized at the same museum by the pathbreaking curator Kynaston McShine that changed the aesthetic course of American art. […]