James Franco’s new exhibition at Pace is bad. It’s not a George W. Bush–caliber train wreck, but it’s close. The exhibition, “New Film Stills,” features 29 photographs from Franco’s series inspired by Cindy Sherman’s seminal “Untitled Film Stills” (1977–80). In each black-and-white photograph the artist-actor-scholar appears dressed (or undressed) in women’s clothes, often sporting a wig and makeup, for […]