In Search of Lost Time: How the Art World Dispensed With Chronology in 2015 (and Why 2016 Will Be the Year of the “Historical-Contemporary”)

Although it may seem strange to devote a year-end roundup to the subject of atemporality, 2015 found the art world in a state of chronological confusion. The year began, so to speak, in December of 2014 when the Museum of Modern Art opened “The Forever Now: Contemporary Painting in an Atemporal World,” which ran through […]

White Light/White Heat: Why Robert Ryman’s Subtle Monochromes Dazzle Anew at Dia

Is Robert Ryman, the master of the white-on-white painting for the past half-century or so, a covert “Light and Space” artist? The Dia Art Foundation’s new exhibition in Chelsea, “Robert Ryman: Real Light, 1958-2007,” certainly encourages us to see him this way—as another example of the California-centric, Minimalism-influenced movement that includes James Turrell, Robert Irwin, […]