Stedelijk Taps Jeff Wall for First Post-Reno Photo Show
There is good deal of irony in the manner in which Vancouver’s Jeff Wall presents his photograph “Invisible Man” by Ralph Ellison, the Prologue (1999–2000)—printed on a transparency and mounted on a light box. “The large-scale image is illuminated from behind by fluorescent lights, which Wall began using after seeing light-box advertisements in the late 1970s,” according […]