Details Released for Geoffrey Farmer’s Venice Biennale Project

Allen Ginsberg. A train accident. Intergenerational trauma. Aspects of all of these elements will converge in Geoffrey Farmer’s upcoming project at the Venice Biennale’s Canada Pavilion, according to details recently released to the media. A major impetus for the project comes from two photographs forwarded to the artist by his sister in April 2016. Farmer states […]

When Private Goes Public: Miami Collections Raise Ethical Questions

Art Basel Miami Beach is an ostentatious display of wealth and the wealthy. That this obvious fact is annually broached with dismay and shock by much of the art world is in no small part due to Art Basel itself, which, increasingly, insists on being similar in style to a biennial or large-scale exhibition, with […]

Stedelijk Taps Jeff Wall for First Post-Reno Photo Show

There is good deal of irony in the manner in which Vancouver’s Jeff Wall presents his photograph “Invisible Man” by Ralph Ellison, the Prologue (1999–2000)—printed on a transparency and mounted on a light box. “The large-scale image is illuminated from behind by fluorescent lights, which Wall began using after seeing light-box advertisements in the late 1970s,” according […]

Both Sides Now: Michael Snow in Philadelphia

Michael Snow is an unusual case of an artist best known for his least conventionally accessible works. Snow’s legacy will always be defined by in his groundbreaking structuralist films, especially the 1967 masterpiece Wavelength, even as opportunities to experience those works as they were meant to be seen become increasingly rare. (Snow has wryly addressed this […]

The Generalist: An Afternoon with Roberta Smith

According to the New York Times’ chief art critic Roberta Smith, she only gives one talk and she’s been giving it for the last 30 years. “I give it a new title every so often,” she quipped last week . Smith’s glibness may appear off-putting, but in person it was anything but. I interviewed her […]

On a Good Day: Lawrence Paul Yuxweluptun stands his ground

Yuxweluptun’s abstract paintings can seem off-kilter with his figurative works but, in fact, they share features. Dubbed “Ovoidism” by Yuxweluptun, the works employ the figure of the ovoid, although here, it is the sole graphic element. He also uses a more limited palette in the abstracts and, unlike the smooth surfaces of the landscapes, the […]