Build it … and they will show

David Roberts is an art-world oxymoron: a property developer who collects art and almost never sells, a businessman worth more than £80m who doesn’t see art as an asset class. As one of Britain’s most significant contemporary art collectors and founder of the charitable David Roberts Arts Foundation (DRAF), Roberts is a major presence on the international art […]

Martin Creed: What’s the point of it? Hayward Gallery

Silly, serious and a sensory delight. Work from the artist who won the Turner Prize turning the lights off and on. If you’re suffering from the January blues, hurry to the Southbank Centre where Martin Creed’s exhibition is bound to make you smile. The man best known for winning the Turner Prize in 2001 by […]

Martin Creed at the Hayward: the faeces, the phallus …

The Hayward’s Martin Creed show is more like a glorious tour of his mind. Adrian Searle has the time of his life squeezing through balloons, ducking a steel beam – and watching an endless erection. The variety of Creed’s work makes it hard to talk about touch, manner or voice. But they’re there all the […]

Martin Creed – A Complexity that Trumps Similarities

Sometimes I think the British artist-musician Martin Creed makes art for dummies, not excluding myself. At the same time, his accumulations and arrangements of everyday objects and materials initially seem so rudimentary and forthright that they can also make you feel smart. Roberta Smith reviews Martin Creed

The Trouble with Mega Galleries

By far the most common topics of discussion and consternation in the art world these days are the four behemoths. Gagosian, Hauser & Wirth, David Zwirner, and Pace are the bull elephants of the field, galleries that galumph everywhere all the time, Hoovering up artists and money and monopolizing attention. Jerry Saltz on the Trouble […]

Small Time: Revisiting Jeff Koons vs. Paul McCarthy

Is bigger art always better art? Certainly in the age of Instagram, anything monumental is hard to discredit; people are easily impressed and love to obsess over questions like “How did it get here, how was it made and how much does it cost?” Somehow they forget the basic questions: “What is it and why is it?”