Seedy motels, fast food joints and the romantic underbelly of urban life are all synonymous with the warm artificial glow of neon. Since the 1920s, the commercialization of “liquid fire” has seen countless industries quite literally put their name up in lights, and although other more high-tech forms of illumination are now available, no other […]
The Welsh artist unveils 2km of neon suspended in mid-air – and it’s an adventure playground for the eyes. It all begins with a white neon O, hanging above our heads like the shape the lips make before an exclamation. Or a spyglass aimed at the chaos beyond. Suspended partway down the long Duveen Gallery […]
Laing Brown is an art collector who is interested in ideas. Brown, chair of the Audain Art Museum acquisitions committee and an external advisor to the acquisitions committee of the National Gallery of Canada, has just returned from Britain, where he went to check out Frieze London, where 160 of the world’s top commercial galleries […]
Dr James Fox has never really got conceptual art. And he’s not alone. Conceptual art has been treated with suspicion and incredulity by virtually everyone outside the art world for nearly a hundred years. Ever since Marcel Duchamp first displayed a signed urinal and claimed it was art in 1917. So was he taking the […]
With works spanning two decades that force us to pause, reflect, and see the world through fresh eyes, Martin Creed has challenged what it means to be an artist. Born in Wakefield, England in 1968, Creed grew up in Scotland where his father worked as a silversmith and lectured at Glasgow School of Art. Creed […]
“Without tradition, art is a flock of sheep without a shepherd. Without innovation, it is a corpse.” – Sir Winston Churchill Join Laing Brown, a noted art collector, Board Member and Chair of the Audain Art Museum Acquisitions Committee, for a public multi-media presentation where he will discuss his Top 10 Collecting Rules for contemporary […]
If Martin Creed had been alive in Medieval Europe, it is easy to imagine him as an admired court jester, entertaining the royals with dashes of absurdity while at the same time speaking truth to power, gingerly prodding the monarch. Creed delights in tweaking, and even flouting, convention. He hatches harebrained schemes—usually just single, simple […]
Everything is fair game for the Turner Prize-winning artist in a new show at the Park Avenue Armory. The Turner Prize-winning British artist is known for his singular (sometimes gross) sense of humor, sparking debate with seemingly mundane, Duchampian conceptual actions and for nabbing Britain’s coveted Turner Prize by rigging a light switch with a timer. […]
A kind of extended happening, or maybe a series of short ones, has gently taken over the Park Avenue Armory, one of the architectural gems of New York. Numerous moving parts, animate and inanimate, are involved, and they are all the doing of the British maverick Martin Creed, the first artist to be given the […]
The Armory’s 55,000-square-foot central room must make artists who are commissioned to create work there break out in night sweats. Creed’s principal intervention in it, Shutters Opening and Closing (2016), is sure to make them jealous. The darkened hall is nearly empty. The rolling garage door at the back of the space, which looks out […]
Although he can come across as almost pathologically ill at ease and underprepared, the artist is clearly not lacking in confidence. The Armory’s largest space is its drill hall, which actually earns the overused adjective cavernous. Instead of cluttering it with whimsies, Creed has installed a single huge projection of a new work: a music-video-slick […]
“It’s pretty remarkable the armory is letting us do this,” observed Mr. Eccles, who assembled the exhibition in partnership with Hans-Ulrich Obrist, artistic director of the Serpentine Galleries in London. Actually, the exhibition is in the spirit of earlier armory shows spotlighting off-center artists like Paul McCarthy and Christian Boltanski — both of which Mr. […]
I meet Martin Creed more than a week before his retrospective What’s the point of it? opens at the Hayward. The gallery is full of 25 years’ worth of improbable, witty, uplifting art; I am especially gladdened by a wall covered in 1,000 prints of broccoli. But the show is not ready yet: the atmosphere […]
Immaculate in a grey suit, Martin Creed strides towards me in the car park at Durslade Farm, home of Hauser & Wirth’s Somerset gallery. He could be a businessman out on his lunch break on a spring day. Then I notice the spatters and whiplashes of paint all over his clothes, the splodges of colour […]
British artist Martin Creed’s short-lived but much loved installation titled Work No. 2592 at Gavin Brown’s Enterprise on New York’s Lower East Side is open until Saturday, and people cannot seem to get enough of the bright-red balloons that half-fill the space at 291 Grand Street. The playful installation by the 2001 Turner Prize winner has been delighting adults and kids alike and has […]
Don’t be fooled—this balloon-filled room is not a tribute to Nena’s classic hit, “99 Red Balloons”. It is, however, an interactive art installation, “Work No. 2592” by Martin Creed, a British artist and Turner prize-winner, which is open for some child-like revelry, for adults and children alike. Yep, it’s a ball pit for adults, but it […]
The UK’s Turner Prize for 2015 has been won by Assemble, a collective group of architects that has restored derelict houses. London-based Assemble, formed by about 18 “activist architects” in their twenties, recently renovated a shabby housing estate in the Toxteth district of Liverpool, a city in northern England. Assemble was nominated both for this […]
In the spirit of Halloween, ARTINFO has compiled a list of nine gruesome contemporary art works that give us nightmares all year long. From David Lynch’s “Six Men Getting Sick” to Hermann Nitsch’s “Theater of Orgies and Mysteries,” we’ve covered all the bases as October 31 approaches. Read on for our full, illustrated list. By way of example, Piero […]
Unknown, alien objects disorientate you from your very first steps: once you’ve navigated past the dog-eared sofa that curiously blocks the entrance, Work No.1092 (2011) hurtles worryingly close above your head (or for taller visitors, could well threaten decapitation). It’s exciting, but witty too – the 12-metre long neon sign , spelling ‘Mothers’, dwarfs you […]
When Martin Creed was shortlisted for the Turner Prize in 2001, it showed him something about himself that he’d rather not have seen. “What I hated was finding out how much I wanted to win,” he says. “Prizes are stupid but God, I was a desperate man!” It’s an uncharacteristic admission in some ways—Creed casts […]