An exhibition at the Brant Foundation’s New York space reveals how much he had in common with Jenny Holzer and Hans Haacke. Over the years, the biggest fans of Jean-Michel Basquiat have had a strange way of showing their affection: They’ve just about drowned him and his work in tired romantic clichés. He’s supposed to be a […]
Ai Weiwei’s crabs, Lawrence Weiner’s texts, Michelangelo Pistoletto’s smashed mirrors and Jenny Holzer’s redacted military documents have all given the baroque pile of Blenheim Palace – home to the dukes of Marlborough and birthplace of Winston Churchill – a jolt over the past few years. Inviting living artists to insinuate their works into this world heritage site, […]
When Clement Greenberg, Frank Stella, and Donald Judd tried to define what makes a painting, they overlooked a central feature — capaciousness. It is routine to characterize the 1970s as a decade dominated by Conceptual Art, and artists such as Sol LeWitt, Lawrence Weiner, Joseph Kosuth, and Mel Bochner. Part of this thinking is market-driven: […]
Laing Brown is an art collector who is interested in ideas. Brown, chair of the Audain Art Museum acquisitions committee and an external advisor to the acquisitions committee of the National Gallery of Canada, has just returned from Britain, where he went to check out Frieze London, where 160 of the world’s top commercial galleries […]
“Without tradition, art is a flock of sheep without a shepherd. Without innovation, it is a corpse.” – Sir Winston Churchill Join Laing Brown, a noted art collector, Board Member and Chair of the Audain Art Museum Acquisitions Committee, for a public multi-media presentation where he will discuss his Top 10 Collecting Rules for contemporary […]
It was a visibly emotional event for veteran art dealer Yvon Lambert. On July 10, Lambert celebrated the long-awaited inauguration of the newly-expanded space of the Collection Lambert in Avignon with high-profile guests and politicians in attendance, including French culture minister Fleur Pellerin. The permanent hanging of Lambert’s contemporary art collection in the newly-acquired Hôtel de […]
There has been a lot of bickering about what Conceptual art is/was; who began it; who did what when with it; what its goals, philosophy, and politics were and might have been. I was there, but I don’t trust my memory. I don’t trust anyone else’s either. – Lucy Lippard, “Escape Attempts” The term “concept art” […]
If the title of Jens Hoffmann‘s latest exhibition. “Other Primary Structures,” rings a bell, it’s because it’s a revisiting one of the most important American art exhibitions of the 20th century: “Primary Structures: Younger American and British Sculptors,” the 1966 exhibition organized at the same museum by the pathbreaking curator Kynaston McShine that changed the aesthetic course of American art. […]
The artist Jonathan Monk makes work that casts an arch eye on art history, his fellow artists, and the transition of a work from the studio to the gallery to the collector’s wall or museum. In other words, his target is art and the entire artistic process, which he lampoons with wry humor and an unabashed use […]