During his long, illustrious career, Robert Morris has constructed sculptures that startle, question, challenge and flout expectations. Since the early 1960s, he has made, in a range of materials, spare, geometric forms; Dada-like objects; ephemeral works; land art; environments with sound systems that play scripted narratives; proto-selfies; dramatic pastel pictures with elaborate sculpted frames; performance art; and, not too long ago, a glass “Labyrinth” on the grounds of the Nelson-Atkins Museum in Kansas City, Mo., that has become a popular gathering place. This body of work reflects Mr. Morris’s abilities as a consummate craftsman who possesses a fine-tuned intellect with a philosophical bent, the prowess of an agile athlete and the talent to draw like an old master.