Harald Szeemann’s Revolutionary Curating

A re-creation of the auteur’s most personal show, madly grand and deadpan daft, essentializes a strange glamour that has leaked from the art world into culture at large. The most bizarre exhibition in town this summer bears on the prevalence, lately, of “curating” as an honorific for the organizing of practically anything by just about anyone. […]

“Casting it in Plaster Monumentalized a Space That is Ignored”: Rachel Whiteread on the Sculptural Elements of Emptiness

British minimalist sculptor Rachel Whiteread (b. 1963) is known for her innovative use of negative space as sculptural object.  Most renowned for her plaster casts of architectural spaces and utilitarian found objects, Whiteread’s haunting, tomb-like works evoke themes of loss, memory, and invisibility.  Whiteread’s work is currently on view at Monnaie de Paris as part of the Women House Exhibition, which […]

Kienholz’s Five Car Stud goes back on view in Milan

For nearly 40 years, Ed Kienholz’s Five Car Stud (1969-72), a dark installation depicting a brutal racist attack, lay hidden away in storage in Japan. It is now on public view in Milan at the Fondazione Prada, which acquired the work in 2012, soon after it was restored by the artist’s widow and collaborator Nancy […]