The Four-Hour Art Week? Read Carol Bove’s Self-Help Guide for Artists

You do need to know some art history. As a producer of art objects/gestures, the conventions you decide to ignore and the conventions you decide to repeat are as important, if not more so, than what you invent. If you’re a total novice start with Cubism to Surrealism and then study 1945–75, then take it from there.

Everybody my age read Art After Modernism: Rethinking Representation. If you ever want to understand something about our subconscious, our unarticulated assumptions, you could get some clues from that book. The theory of the 1980s is important for the very reason that it formed our mentality, but it has receded from our conscious thoughts. The subconscious realm of unarticulated assumptions is a powerful, invisible shaping force in the world.

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