How Cubism Gave Rise to Contemporary Art

Cubism is famous for its difficulty, and the fact that in the early years of its development, Picasso and Braque treated it as a secret, denying its existence to outsiders. It’s very brown, it’s visually severe, it’s hard to enter. What, exactly, was Cubism?  I think Cubism has been seen as an intellectual art form […]

Some Thoughts About Richard Serra and Martin Puryear (Part 2: Puryear)

From the outset of his career, Puryear refused to give up what he knew and studied in order to align his work with the prevailing aesthetic. Some people believe they should do whatever it takes to fit in, while others accept that they will never fit in and do not try. There is the assimilationist […]

Some Thoughts About Richard Serra and Martin Puryear (Part 1: Serra)

Quotes from Richard Serra: “Art is not democratic. It is not for the people.” “My sculptures are not objects for the viewer to stop and stare at. The historical purpose of placing sculpture on a pedestal was to establish a separation between the sculpture and the viewer. I am interested in creating a behavioral space […]

Allen Jones, Royal Academy

A brilliant painter derailed by an unfortunate obsession. There’s no escaping it; Hat Stand, 1969, is a beastly object. The blank-faced mannequin is too literal to succeed as a sculpture, and the conceit is too nasty to be ignored. Her position – holding up her hands to receive our hats – recalls the torture meted […]

Is Allen Jones’s sculpture the most sexist art ever?

Zoe Williams goes among the women as fetish furniture at the RA’s new show to find out. I find it very difficult to have an authentic response to work that has generated a lot of controversy in the past. My inner contrarian harasses me to disagree with the orthodoxy. So I was all set to […]