In Tate Modern’s New Wing, a Broader, More Global View of Art

LONDON — The day began in the Turbine Hall, the 85-foot-tall atrium at the heart of Tate Modern, the most visited museum of modern and contemporary art in the world. If the museum functions like a medieval cathedral — as the Lord Browne of Madingley, chairman of Tate’s Board of Trustees, suggested in a packet […]

Review: Drips, Dropped: Pollock and His Impact

Any exhibition of older art drawn from a museum’s permanent collection is a palm held out for us to read, a snapshot of the museum’s sense of its role over time, its present ambitions and its view of art history. Place two such exhibitions side by side and an especially intense and revealing frisson can […]