Anselm Kiefer To Mount Major Retrospective At Royal Academy In September

The Royal Academy in London is mounting a major a retrospective exhibition of the artist Anselm Kiefer who has made it his life’s work to confront the dark pre and post-war past of his native Germany, wrestling with its moral inheritances. Massive paintings, artist’s books, drawings, photographs, watercolours, sculptures and installations, will be presented by […]

What Was the Pictures Generation?

“The Pictures Generation” is as elusive as any label attached to a group of contemporary artists. As it is often used, the phrase refers to a range of painters and photographers active during the 1970s and ‘80s whose work made use of images appropriated from mass culture. With that understanding, it’s easy to conjure up some […]

Anish Kapoor: Mirror Stages

Mirrors can invert, distort, reveal and register experiences. Sculptor Anish Kapoor’s reflective work Non-Object (Pole) (2008) refracts a spectacular view of the Anatolian side of the Bosphorus Sea from the marble terrace of the Sakip Sabanci Museum in Istanbul. The mirror, in this case, operates as a kind of cultural and pictorial index, recording not […]

Returning Home, but Always Going Forward Recent David Hockney Work at the de Young in San Francisco

At 76, David Hockney is in one of his primes, and apparently he knows it. Not for nothing is his exuberant, immersive survey at the de Young Museum here cheekily titled “David Hockney: A Bigger Exhibition.” By then [early 1980’s] Mr. Hockney was one of the most popular of all living artists. Thousands of people […]

Glorious 40-Part Motet returns to National Gallery for holidays – video

 The National Gallery has re-installed  Forty-Part Motet, the sound work by Janet Cardiff that is one of the very best things in the Gallery’s permanent collection. Forty-Part Motet consists of 40-plus voices, each singing its own part of the 16th-century choral piece Spem in Alium, by Thomas Tallis, and each heard through its own speaker. The 40 speakers are […]

Jake and Dinos Chapman: Come and See, Serpentine Sackler Gallery

The Chapmans not only are what they are, but they embody what they are to perfection. And just when you think you may have outgrown them yourself – like you might a lover whose jokes have grown wearisome, but really, it’s you, it’s you – they hijack your affections once more by being both brilliant and […]

Being Kazimir Malevich, in Amsterdam

All eyes were on the Rijksmuseum when it re-opened in April after a 10-year refurbishment, but across the Museumplein, Amsterdam’s gallery of contemporary and modern art, the Stedelijk, was already settling into its new look, unveiled six months before. With its world-beating collection and extended galleries, it is already an attractive destination, but a remarkable […]

Lunch with the FT: Jake and Dinos Chapman

The not-so-young British artists on provocation, prostitution and spicy soup Jake picks up a paper napkin. “The second that Martin Creed does that” – he crumples up the napkin – “then it’s worth £50,000 or whatever. The point is there has to be some sort of syndicative agreement that if he or she does it” […]

Martha Rosler Tackles the Social Roles of Artists in “Culture Class”

The influential but oft-maligned project of pop urbanist Richard Florida first took off in 2002 with the publication of The Rise of the Creative Class, in which he defined a new economic sector composed of creative laborers: a group extending beyond artists to include designers, journalists, and tech people, a “highly educated and well-paid segment of the […]

Grayson Perry: a master of rabble-rousing and little else

The critic of today’s art is ironically its biggest benefactor: Perry has taken a fifth-rate talent and made himself an old master. In the great game of contemporary art, Grayson Perry is a master. He has perfected the move that trumps all others: denouncing the art world from within. His Reith lectures, to be broadcast on Radio 4 […]

Painting’s Endgame – Christopher Wool at the Guggenheim

Christopher Wool is one of many painters who have experimented with bringing their medium to extinction. They strip it of familiar attributes like imagery, brushwork or flatness, often ending up with some kind of monochrome that suggests the last painting that could possibly be made. Again and again, these works make viewers ask, in effect: […]

Huge naked figure and blank gallery where people can chat about the economy… it’s Turner Prize time again

The bookmaker’s favourite to win is Glasgow-based artist David Shrigley whose piece Life Model features a larger than life naked male robot. Show-goers are encouraged to take part by drawing the model and their efforts are displayed around the gallery. Among the best known artists in the running for the £25,000 prize money is Berlin-based […]

The Stuff of Building and Destroying

‘Chris Burden: Extreme Measures,’ at the New Museum. “Chris Burden: Extreme Measures” at the New Museum is a superb survey, but also a kind of transfiguration. It liberates the Los Angeles-based Mr. Burden from the clutches of history, expanding and rebalancing our understanding of his art.