All eyes were on the Rijksmuseum when it re-opened in April after a 10-year refurbishment, but across the Museumplein, Amsterdam’s gallery of contemporary and modern art, the Stedelijk, was already settling into its new look, unveiled six months before. With its world-beating collection and extended galleries, it is already an attractive destination, but a remarkable […]
A View Inside the Art World: Author Henry Alford attended the record-breaking auctions of modern art at Christie’s and Sotheby’s, but to watch, not buy. Henry’s hilarious commentary in the NYT on his experiences at the Christie’s including at the preview auction brunch: “Are you having fun?” he asked me. “I am,” I said. “But […]
Art is Hard to See Through the Clutter of the Dollar$. Roberta Smith for the New York Times
Instead of catering to carefully selected museums and collectors, auction houses sell to the highest bidder. They find two people who want the same work and get them to bid as high as possible; often those who buy work will only sell it again in two years.
The influential but oft-maligned project of pop urbanist Richard Florida first took off in 2002 with the publication of The Rise of the Creative Class, in which he defined a new economic sector composed of creative laborers: a group extending beyond artists to include designers, journalists, and tech people, a “highly educated and well-paid segment of the […]
The critic of today’s art is ironically its biggest benefactor: Perry has taken a fifth-rate talent and made himself an old master. In the great game of contemporary art, Grayson Perry is a master. He has perfected the move that trumps all others: denouncing the art world from within. His Reith lectures, to be broadcast on Radio 4 […]
Christopher Wool is one of many painters who have experimented with bringing their medium to extinction. They strip it of familiar attributes like imagery, brushwork or flatness, often ending up with some kind of monochrome that suggests the last painting that could possibly be made. Again and again, these works make viewers ask, in effect: […]
The bookmaker’s favourite to win is Glasgow-based artist David Shrigley whose piece Life Model features a larger than life naked male robot. Show-goers are encouraged to take part by drawing the model and their efforts are displayed around the gallery. Among the best known artists in the running for the £25,000 prize money is Berlin-based […]
Crotchless trousers, baths of excrement, John Cage, Yoko Ono and Marina Abramovic … in the first of a series of exclusive films with the Tate, in which stars give potted histories of art movements, Frank Skinner opens up the wild world of performance art.
‘Chris Burden: Extreme Measures,’ at the New Museum. “Chris Burden: Extreme Measures” at the New Museum is a superb survey, but also a kind of transfiguration. It liberates the Los Angeles-based Mr. Burden from the clutches of history, expanding and rebalancing our understanding of his art.
The art world has officially joined the rest of the world in a maniacal obsession with celebrity culture. Sure, Warhol did it long ago with his 1960s “screen tests” of Warren Beatty and Dylan, and by hosting the likes of Mick Jagger, Jackie O, her son John John and sister Lee Radziwill in Montauk in […]
A work of art falls and breaks at the height of the London Art Fair. How did the piece still manage to get sold? This gallery girl has some confessions to make. Oh dear oh dear, when things get broken, do they ever get pieced back together the way they were? I like to think that broken objects gain personality: been there, […]
When loving art becomes an obsession: at a gallery in New York City, a gallerina mischievously walks off with a painting she fell in love with. This gallery girl needs more than chocolate to calm down.
An evil gallerist reminds us how art has sadly always been used as an ambitious symbol of power. This gallery girl from Milan has some confessions to make.
Billed as a homecoming, the first Edinburgh retrospective for the painter Peter Doig lingers in the imagination, says Alastair Sooke. With the exception of Gauguin, the French stockbroker who plunged into Tahiti with whom Doig is frequently compared, there are few artists it makes less sense to consider through the filter of their national identity. […]
New York’s annual Met Gala at the Metropolitan Museum of Art may serve to celebrate the Costume Institute’s newest exhibitions but, from experience, it is also an event of debauchery! I feel like the Met Gala’s punk theme was dreamed up by a drunk intern who knew she was getting fired anyway so why not?
We’ve all been rejected before. But if you’re an artist who’s been rejected by a gallery, maybe not the most qualified individual was calling the shots. This NYC gallery girl has some confessions to make. It’s like grading a work of art: who really knows what is good or bad these days?
Forget pickled sheep and unmade beds – Peter Doig’s new show will turn the Scottish National Gallery into a temple of painterly delights. The pleasure principle struggles for recognition these days as a measure of art appreciation. The pleasure of paint in particular, with life-drawing as its grammar, has been brushed aside with gestures heavy in conceptual irony. There […]
Alastair Sooke looks back on the riddling Frenchman’s important, but little-known, summer holiday in Herne Bay exactly 100 years ago. No modern artist was as riddling and enigmatic as the Frenchman Marcel Duchamp. Born in 1887, he spent his life upending expectations about what art could be. Even his most diehard disciples were confounded by his decision in 1923 […]
Jerry Saltz often offers and interesting take.