The artist Jonathan Monk makes work that casts an arch eye on art history, his fellow artists, and the transition of a work from the studio to the gallery to the collector’s wall or museum. In other words, his target is art and the entire artistic process, which he lampoons with wry humor and an unabashed use […]
They love, love, love Isa Genzken over at the Museum of Modern Art, where the artist’s first major American museum survey remains on view through March 10, before traveling to museums in Chicago and Dallas. The 65-year-old Berlin-based German sculptor, whose 150 works fill 10 open-plan galleries on the museum’s sixth floor, is “one of the most important artists […]
When John Baldessari started creating his text paintings in the mid 1960s, only a handful of artists had ever trifled with the idea. For one of his early text paintings, Baldessari chose a simple phrase that offered a perfect example of the layered meanings his work is often able to express with extremely limited means: “Pure Beauty.”
“The Pictures Generation” is as elusive as any label attached to a group of contemporary artists. As it is often used, the phrase refers to a range of painters and photographers active during the 1970s and ‘80s whose work made use of images appropriated from mass culture. With that understanding, it’s easy to conjure up some […]
We begin 2014 with a resolution, and that is to leave all the unfinished business of 2013 behind—to be done with it, to turn our back on it and give it not another thought. After all, we don’t want to start the new year by getting distracted by all the unexplored themes and missed opportunities […]
The other day at a Christmas party, an artist told me an art dealer joke. Here’s the short version: Devil goes to an art dealer, promises him wealth, success, everything, in return for his soul. Art dealer says, “What’s the catch?”
Learning to Love the Eight-Figure Art Market. Big bucks can excite hot tempers. by Walter Robinson
“A bunch of rubbish” was the verdict, offered only half in jest by the predictably dyspeptic English journalist. He was surrounded by huge paintings covered with shards of broken crockery and slathered with crudely painted images. Yes, rubbish, but is that not the quest of the avant-garde, to magically spin art from dross like some […]
Art fairs have their dos and don’ts. If you Google “negotiating at art fairs,” few results come up; it may be a taboo subject—and a common pratfall for beginner collectors—but haggling happens, and it’s a veritable part of the art-buying game, for better or worse.
Why the Avant-Garde Should Cheer Up “The contemporary art world is flourishing. Despite all the grumbling—and we’ll get to that in a moment—does anyone doubt that we are flooded with artists, overwhelmed by art shows, and swamped by art fairs and biennials?”
I Found the Sublime in Jeff Koons (and No One Agreed With Me) Walter Robinson reviews three New York exhibitions by Jeff Koons at Gagosian, Paul McCarthy at Hauser & Wirth and James Turrell at
As two of the world’s most prominent collectors of contemporary art, Anita Zabludowicz and her husband,Poju, have amassed enough work over their four decades of collecting to fill not only their homes but also elegantly appointed public exhibition spaces in London and New York. However, the couple stands apart from the majority of the elite collector class […]
The Berlin Wall fell in 1989 and a mere five years later the first of what has been a new global wave of art fairs opened in New York City at the Gramercy Park Hotel. Think there’s a correlation between the collapse of Communism and art-market expansion? … Strolling down the aisles, looking at artworks, […]