Galleries like Sprüth Magers and Hauser Wirth & Schimmel quietly but fiercely compete for the city’s artists. The grand openings of the Los Angeles branches of European galleries Sprüth Magers and Hauser & Wirth (called Hauser Wirth & Schimmel), on 23 February and 13 March respectively, are sure to generate even more buzz about the […]
Video art has been with us for nearly half a century, a fertile ground for artists to experiment with new modes of aesthetic experience. As media culture expanded to nearly every corner of our society over the course of the 20th century, artists in turn refined and emboldened their approaches to the medium. The following […]
In the spirit of Halloween, ARTINFO has compiled a list of nine gruesome contemporary art works that give us nightmares all year long. From David Lynch’s “Six Men Getting Sick” to Hermann Nitsch’s “Theater of Orgies and Mysteries,” we’ve covered all the bases as October 31 approaches. Read on for our full, illustrated list. By way of example, Piero […]
Sculpture officially called ‘Dirty Corner’, in Palace of Versailles gardens, was attacked in June then cleaned but this time graffiti will stay ‘to bear witness’. A controversial sculpture by artist Anish Kapoor, on display in the gardens of the Palace of Versailles – and informally dubbed the “queen’s vagina” – was vandalised again on Sunday, […]
Putting aside any petty concerns for bridges burned, here’s an incomplete list of the most despicable moments in 2014’s art world, as viewed by Scott Indrisek of Blouin Artinfo.com. From from candy factories to soggy concerts, there are two sides to every story, right?
BASEL, Switzerland — Art Basel, the world’s pre-eminent fair devoted to modern and contemporary works, opened its doors to V.I.P.s on Tuesday. But by then plenty of business had already been done by many of the 285 exhibiting dealers. Hundreds of thousands of digital images had been emailed to collectors, advisers and curators, giving them […]
This year, matters of art jazzed people who rarely look at art works, occasioning much highly general, though lively, chatter. By Peter Schjedahl, The New Yorker
Is bigger art always better art? Certainly in the age of Instagram, anything monumental is hard to discredit; people are easily impressed and love to obsess over questions like “How did it get here, how was it made and how much does it cost?” Somehow they forget the basic questions: “What is it and why is it?”
I Found the Sublime in Jeff Koons (and No One Agreed With Me) Walter Robinson reviews three New York exhibitions by Jeff Koons at Gagosian, Paul McCarthy at Hauser & Wirth and James Turrell at