‘A World of Its Own,’ Examining Photography, at MoMA. Something old, something new, nothing borrowed and not enough color. A variation on the venerable bridal dress code pretty much sums up the Museum of Modern Art’s latest foray into its photography collection, “A World of Its Own: Photographic Practices in the Studio.” In turn, the title of […]
More so than Post-Impressionism or Post-Modernism, the genre of art known as Post-Minimalism is a particularly squirrely one to wrap one’s mind around—after all, what is there beyond Minimalism’s elegant reduction of art to pure form? The critic Roberta Smith may have put it best a few years ago when she described it as “that unruly early ’70s mix of Conceptual,Process, […]
At 76, David Hockney is in one of his primes, and apparently he knows it. Not for nothing is his exuberant, immersive survey at the de Young Museum here cheekily titled “David Hockney: A Bigger Exhibition.” By then [early 1980’s] Mr. Hockney was one of the most popular of all living artists. Thousands of people […]
Sometimes I think the British artist-musician Martin Creed makes art for dummies, not excluding myself. At the same time, his accumulations and arrangements of everyday objects and materials initially seem so rudimentary and forthright that they can also make you feel smart. Roberta Smith reviews Martin Creed
Jacob Kassay turns 30 next year, which means he has time to develop some originality to match his surfeit of intelligence and attitude.
Donald Judd once wrote that an artist’s main challenge is to find “the concatenation that will grow” — in other words, an artistic preoccupation that will sustain a lifetime of development, not peter out by the third or even second show.
Christopher Wool is one of many painters who have experimented with bringing their medium to extinction. They strip it of familiar attributes like imagery, brushwork or flatness, often ending up with some kind of monochrome that suggests the last painting that could possibly be made. Again and again, these works make viewers ask, in effect: […]
‘Chris Burden: Extreme Measures,’ at the New Museum. “Chris Burden: Extreme Measures” at the New Museum is a superb survey, but also a kind of transfiguration. It liberates the Los Angeles-based Mr. Burden from the clutches of history, expanding and rebalancing our understanding of his art.
The protean Carol Bove continues to cultivate her extraordinary garden, operating in the gaps between art and design, modernism (especially Minimalism) and nature, language and structure, found and made, order and chaos, her work/art and other people’s work/art. One of the best artists of our peculiar moment, …
Walter De Maria, a reclusive American sculptor whose multifaceted achievement and sly Dadaist humor helped give rise to earthworks, Conceptual Art and Minimal art, on an often monumental scale, died on Thursday in Los Angeles. He was best known for large-scale outdoor works that often involved simple if rather extravagant ideas or gestures: a SoHo […]
Lately the ever-versatile artist Ugo Rondinone has focused with a certain steadiness on figurative sculpture — without, as usual, repeating himself.
Thanks to the Gagosian art empire, a ludicrous number of paintings by Damien Hirst are on display right now: 331 of Mr. Hirst’s implacably cheerful “spot” abstractions spread among Gagosian’s 11 galleries in 8 cities on 3 continents. The good news, of course, is that they’re not all in one place. And none involve dead animals, maggots, encrusted diamonds […]