The Chapmans not only are what they are, but they embody what they are to perfection. And just when you think you may have outgrown them yourself – like you might a lover whose jokes have grown wearisome, but really, it’s you, it’s you – they hijack your affections once more by being both brilliant and […]
All eyes were on the Rijksmuseum when it re-opened in April after a 10-year refurbishment, but across the Museumplein, Amsterdam’s gallery of contemporary and modern art, the Stedelijk, was already settling into its new look, unveiled six months before. With its world-beating collection and extended galleries, it is already an attractive destination, but a remarkable […]
“A bunch of rubbish” was the verdict, offered only half in jest by the predictably dyspeptic English journalist. He was surrounded by huge paintings covered with shards of broken crockery and slathered with crudely painted images. Yes, rubbish, but is that not the quest of the avant-garde, to magically spin art from dross like some […]
We sometimes think of paintings as like autographs. It’s only Mick Jagger’s autograph if he signed it, with his very hand. And it’s only a Vermeer, say, or a Rothko, if Vermeer or Rothko themselves actually made the pictures. This makes good sense when it comes to autographs. A signature is a person’s mark. By […]
Art is Hard to See Through the Clutter of the Dollar$. Roberta Smith for the New York Times
Instead of catering to carefully selected museums and collectors, auction houses sell to the highest bidder. They find two people who want the same work and get them to bid as high as possible; often those who buy work will only sell it again in two years.
The influential but oft-maligned project of pop urbanist Richard Florida first took off in 2002 with the publication of The Rise of the Creative Class, in which he defined a new economic sector composed of creative laborers: a group extending beyond artists to include designers, journalists, and tech people, a “highly educated and well-paid segment of the […]
The critic of today’s art is ironically its biggest benefactor: Perry has taken a fifth-rate talent and made himself an old master. In the great game of contemporary art, Grayson Perry is a master. He has perfected the move that trumps all others: denouncing the art world from within. His Reith lectures, to be broadcast on Radio 4 […]
The bookmaker’s favourite to win is Glasgow-based artist David Shrigley whose piece Life Model features a larger than life naked male robot. Show-goers are encouraged to take part by drawing the model and their efforts are displayed around the gallery. Among the best known artists in the running for the £25,000 prize money is Berlin-based […]
Crotchless trousers, baths of excrement, John Cage, Yoko Ono and Marina Abramovic … in the first of a series of exclusive films with the Tate, in which stars give potted histories of art movements, Frank Skinner opens up the wild world of performance art.
‘Chris Burden: Extreme Measures,’ at the New Museum. “Chris Burden: Extreme Measures” at the New Museum is a superb survey, but also a kind of transfiguration. It liberates the Los Angeles-based Mr. Burden from the clutches of history, expanding and rebalancing our understanding of his art.
The art world has officially joined the rest of the world in a maniacal obsession with celebrity culture. Sure, Warhol did it long ago with his 1960s “screen tests” of Warren Beatty and Dylan, and by hosting the likes of Mick Jagger, Jackie O, her son John John and sister Lee Radziwill in Montauk in […]
Billed as a homecoming, the first Edinburgh retrospective for the painter Peter Doig lingers in the imagination, says Alastair Sooke. With the exception of Gauguin, the French stockbroker who plunged into Tahiti with whom Doig is frequently compared, there are few artists it makes less sense to consider through the filter of their national identity. […]
Forget pickled sheep and unmade beds – Peter Doig’s new show will turn the Scottish National Gallery into a temple of painterly delights. The pleasure principle struggles for recognition these days as a measure of art appreciation. The pleasure of paint in particular, with life-drawing as its grammar, has been brushed aside with gestures heavy in conceptual irony. There […]
Alastair Sooke looks back on the riddling Frenchman’s important, but little-known, summer holiday in Herne Bay exactly 100 years ago. No modern artist was as riddling and enigmatic as the Frenchman Marcel Duchamp. Born in 1887, he spent his life upending expectations about what art could be. Even his most diehard disciples were confounded by his decision in 1923 […]
frieze editors and contributors share their thoughts on the national pavilions at the Venice Biennale
Frieze editors and contributors share their thoughts on the main exhibition at the 55th Venice Biennale, curated by Massimiliano Gioni
Is bigger art always better art? Certainly in the age of Instagram, anything monumental is hard to discredit; people are easily impressed and love to obsess over questions like “How did it get here, how was it made and how much does it cost?” Somehow they forget the basic questions: “What is it and why is it?”
I Found the Sublime in Jeff Koons (and No One Agreed With Me) Walter Robinson reviews three New York exhibitions by Jeff Koons at Gagosian, Paul McCarthy at Hauser & Wirth and James Turrell at
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