A sweeping retrospective shows a personal side of the Pop master — his hopes, fears, faith — and reasserts his power for a new generation, Holland Cotter writes in his review. Mr. Paradox, who never left, is back. Although, technically, “Andy Warhol — From A to B and Back Again”at the Whitney Museum of American Art […]
“Disappearing Acts” lets us see with clarity where the artist stands and why he is pertinent to our wrenching moment. If art isn’t about life and death, and the emotions and ethics that surround them, what is it about? Style? Taste? Auction results? Some artists focus on those, but the most interesting head for the uncool existential […]
She’s an artist and scholar, and at “A Synthesis of Intuitions” you see thinking — about gender, racism, art — happening before your eyes. “Adrian Piper: A Synthesis of Intuitions, 1965-2016” at the Museum of Modern Art is a clarifying and complicating 50-year view of a major American artist’s career. It is also an image-altering […]
Turning bodies into paint brushes, Carolee Schneemann’s performances, films and art still startle, as a retrospective at MoMA PS1 shows. Some people in the art world say that #MeToo has gone too far. What modern misogynist will be yanked from museums next? Gauguin? Picasso? I say, sure, why not? Let’s set them aside for awhile, […]
The sculptor’s retrospective at the Whitney Museum is a “brilliant, half-century-long act of politically driven self-invention,” our critic writes. “I feel fairly sure that I could address the entire world if only I had a place to stand,” the peripatetic American artist Jimmie Durham said in the 1980s. Now he has that place: the fifth […]
For the second consecutive year, artnet News set out to identify 10 players who are disrupting the status quo. This year’s edition, like last year’s, is a “subjective, non-comprehensive list of colleagues who have changed the shape of the American art world,” as Brian Boucher writes. Even still, game changers are necessary to any industry—especially the art world. From artists […]
People say we’re in the middle of a second civil rights movement, and we are. The only surprise is that the first one ever ended. The artistKerry James Marshall was there for it. He was just a kid then, born in Birmingham, Ala., in 1955. But kids take in a lot. He was in Birmingham […]
Political art has changed over the past 50 years. Unlike the protest art of an earlier era, much of the most interesting new work feels slippery and evasive, as if reluctant to speak its mind. In part, this is a reflection of different, though not necessarily evolved, thinking. We’ve abandoned old beliefs in utopias, in […]
Ellsworth Kelly, one of America’s great 20th-century abstract artists, who in the years after World War II shaped a distinctive style of American painting by combining the solid shapes and brilliant colors of European abstraction with forms distilled from everyday life, died on Sunday at his home in Spencertown, N.Y. He was 92. Although he […]
A Sigmar Polke Retrospective Opens at MoMA. Get confused is the first and last message of “Alibis: Sigmar Polke 1963-2010” at the Museum of Modern Art. And if you think, as I do, that some degree of continuing bafflement is a healthy reaction to art, this disorienting contact high of a show is for you. Polke, who […]
‘Witness: Art and Civil Rights in the Sixties,’ at the Brooklyn Museum. “A change is gonna come,” the soul singer Sam Cooke promised in his 1964 hit song. And so it did. Officially, it arrived fast, with the signing into law of the Civil Rights Act that year. In reality, its progress was killingly slow, and […]
MEXICO CITY — Few devotees, domestic or foreign, seem to find their way to Mexico City’s museums of contemporary art, of which there are several. Nor are any of those museums firmly fixed on the route followed by the packs of art professionals — curators, collectors, dealers — who ritually travel the planet from one art […]
Carrie Mae Weems Charts the Black Experience in Photographs Color and class are still the great divides in American culture, and few artists have surveyed them as subtly and incisively as Carrie Mae Weems, whose traveling 30-year retrospective has arrived at the Guggenheim Museum. From its early candid family photographs, through series of pictures that […]
Robert Duncan and Jess, and Their Wonderland of Art If you were young, gifted and odd, San Francisco was a good place to be in the years after World War II, when big changes were brewing in American art and culture. And that city is the setting for “An Opening of the Field: Jess, Robert […]