Dick Bellamy: The Man Hiding at the Center of Everything

He was slight and unassuming with a bushy mop of dark hair and deep circles under his eyes hinting at the alcoholic dissipation of a poète maudit. His voice was a suggestive murmur, both musical and raspy from smoking too much. Most people called him Dick. To friends he would announce himself as George, a […]

When Dealers, Too, Were Romantics

“Dealers are as important as the artists themselves,” the gallery owner Leo Castelli once said. “Hecannot exist without us, and we cannot exist without him.” Gendered language aside, Castelli’s remark captures the fragile symbiosis between those who make art and those who sell it. Lately, however, dealers have been having trouble keeping up their end of […]

Curator Hans Ulrich Obrist on What Makes Painting an “Urgent” Medium Today

Painting has always served as a kind of laboratory for innovative ways of looking at the world, from the perspectival experiments of Alberti all the way to Impressionism, Cubism, Surrealism, abstraction,Minimalism, et cetera. Painters often saw themselves as an advance guard, pushing a kind of investigation forward in new terrain. Here, you’ve mentioned how in […]

In Search of the “Big Technique”: Alex Katz on Why Artists Should Stick to a Style in a Changing Art World

In this extensive interview excerpted from the revised and expanded edition of Phaidon’s monograph Alex Katz, the New York-based painter sits down with his longtime friend Robert Storr, the now-outgoing dean of the Yale School of Art, for a lively, winding discussion about the artist’s influences, concerns, and life history. You once said that a jerk is somebody […]

Alex Katz, The Prince of New York City

It is easy to forget just how really good a painter Alex Katz can be. This is because he makes everything look so easy and natural. Coming of age during the early 1950s, at the height of Abstract Expressionism, the idea of showing struggle and existential angst became anathema to him. This is what he […]