Jemima Kirke of TV show Girls discusses how women have always made art, even if they’ve been absent from the history books (and gallery walls). This short film made by the Tate investigates the role of women as makers, not just muses – from Lee Miller to the Guerrilla Girls.
Carrie Mae Weems Charts the Black Experience in Photographs Color and class are still the great divides in American culture, and few artists have surveyed them as subtly and incisively as Carrie Mae Weems, whose traveling 30-year retrospective has arrived at the Guggenheim Museum. From its early candid family photographs, through series of pictures that […]
At least two guiding spirits hover around To Leave a Light Impression, the new show by British artist Darren Almond at White Cube, Bermondsey. The most obvious is Charles Darwin, in whose footsteps Almond followed to make several of his images. The other is the lesser-known Scottish nature writer, Nan Shepherd, whose book, The Living Mountain, provides the […]
New Masters of the ART Universe Hedge-fund managers are roiling the clubby art market – seeking “distressed” artists, paying record sums and dumping those who don’t pay off; ‘Going long on Rodin’. Aggressive, efficientand armed with up-to- the-minute intelligence supplied by well-paid art advisers, these collectors are shaking up the way business gets done in […]
In 2007, Peter Doig went from being a painter quietly admired by collectors and curators to an art-world colossus when his work White Canoe—created 16 years earlier—was auctioned for a record-breaking $11.3 million. Soon after, both Scots and Canadians claimed the Edinburgh-born, Toronto- and Montreal-raised artist as their own—an impetus for the remarkable show No Foreign Lands, […]
While Dasha Zhukova was all apologies yesterday concerning what some observers have dubbed the “Racist Chair” fiasco—in which Russian socialite and arts patron Zhukova was pictured on Russian fashion website Buro 24/7 sitting atop a Bjarne Melgaard sculpture of a black woman trussed up to form the shape of a chair—Melgaard and his dealer, Gavin Brown, are taking a different tack. In […]
While it’s a good time to be at the very top or at the emerging end of the market, the middle tier of galleries and artists are feeling the squeeze. We ask New York’s dealers and directors what are the alternatives to the mega gallery system? Check out the Video, it is less than 5 […]
Any sense of real subversion or originality Emin ever conveyed has long since been packaged, copyrighted, and reproduced as kitsch self-caricature. An interview in the latest issue of Time Out reads like a cut-and-paste summary of previous public statements: Emin’s views on life boiled down to bullet points: • She is oppressed as a woman artist. […]
Bjarne Melgaard’s black woman in the shape of a chair – as seen in the now-notorious photoshoot of Roman Abramovich’s girlfriend Dasha Zhukova – has been totally misunderstood. The contemporary art world likes to think it has a common touch. While classical music is for the elite and the literary novel a minority taste, the […]
For a film that opened with Ai Weiwei’s statement, “Without freedom of speech, there is no modern world, just a barbaric one,” there was an irony in the fact that Andreas Johnsen’s Big Brother Watching Me… started practically without words. When the artist was freed in June 2011 following 80 days in prison, one of the conditions […]
There couldn’t be a better exhibition to inaugurate the new Perez Art Museum Miami than the traveling solo retrospective from the famous Chinese artist Ai Weiwei. Like the museum, Ai Weiwei: According To What? is monumental — physically huge, with a lot to say, and important for Miami. Contemporary Chinese art has been a hot commodity for […]
William Burroughs’s photographs offer real insight into his written work. Lynch’s and Warhol’s images pale by comparison. “A picture just means I know where I was every minute,” Andy Warholonce said. “That’s why I take pictures. It’s a visual diary.” In this instinct, Warhol was, as always, ahead of the game. One senses that he would […]
At 54, Doig is one of the most talked-about and praised artists in the world, his work housed in many prestigious public and private collections. Last year two Doigs, both painted in the 1990s, sold at auction in London for, respectively, $10.5-million and $12-million. Montreal currently has bragging rights as the sole North American venue […]
Two celebrated architect couples, whose careers took off almost simultaneously in the hothouse of New York City design and who supported each other’s successes, are barely on speaking terms. One pair, Billie Tsien and Tod Williams, designed the former home of the American Folk Art Museum on West 53rd Street; the other, Liz Diller and Ricardo Scofidio, just […]
Back in 2012, I wrote a post with the headline “How Larry Gagosian is like Goldman Sachs”. The general idea was that both of them use their relationships and their balance sheet to make money off and/or with their clients. Since then, as Christian Viveros-Fauné says, the art world has become even more coterminous with the art market: “Business […]
As far as the art market is concerned, the phrase “economic crisis” doesn’t exist. Whilst it’s difficult to predict whether the exceptional sales figures realised by auction houses this year will be replicated – or even surpassed – in 2014, there is every reason to believe that the demand for prestigious lots will remain high. […]
Holland Cotter Looks at Money in Art A new year. A new New York mayor. Old problems with art in New York. I have a collection of complaints and a few (very few) ideas for change. Money — the grotesque amounts spent, the inequitable distribution — has dominated talk about art in the 21st century […]
Robert Duncan and Jess, and Their Wonderland of Art If you were young, gifted and odd, San Francisco was a good place to be in the years after World War II, when big changes were brewing in American art and culture. And that city is the setting for “An Opening of the Field: Jess, Robert […]
They love, love, love Isa Genzken over at the Museum of Modern Art, where the artist’s first major American museum survey remains on view through March 10, before traveling to museums in Chicago and Dallas. The 65-year-old Berlin-based German sculptor, whose 150 works fill 10 open-plan galleries on the museum’s sixth floor, is “one of the most important artists […]
Two years ago, when the late Ileana Sonnabend’s family donated Robert Rauschenberg’s famous artwork Canyon (1959) to the Museum of Modern Art, a condition of the gift was that the museum put on a show about the legendary art dealer, who died in 2007. Curator Ann Temkin has now fulfilled that promise, …