The public is warming to the medium, but collectors remain cool. While some visitors spent the first public day of Art Basel admiring multi-million-dollar paintings, others strayed from the main fair to watch a nude woman examine her body with a hand mirror and a war veteran stand silently in a corner. These performance works, […]
Manifesta 10 opens at St. Petersburg’s State Hermitage Museum this Saturday. To some—likely the roaming art biennale’s curator, Kasper König, among them—that sole fact is accomplishment enough. Since König signed on to head up the exhibition, much has changed on the ground in Russia: a swath of anti-gay legislation and censorship, and the Kremlin’s growing expansionist tendencies with the annexation […]
If I had to sum up American history in a word, I wouldn’t use racism,though obviously that’s a biggie. I’d pick hokum. I put it right up there withliberty, as in “life, liberty and the pursuit of happiness,” a passage which itself could be taken for hokum, written as it was by a man who owned slaves. However, I […]
Art is a “platform for the future,” Jeff Koons announced at yesterday’s press conference at the Whitney. What that means is anyone’s guess, but he followed that up by explaining that he’s 59 and hopes to be making art for at least another three decades. In short, while this may be his first New York […]
There are so many strange, disconcerting aspects to Jeff Koons, his art and his career that it is hard to quite know how to approach his first New York retrospective, the Whitney Museum of American Art’s largest survey devoted to a single artist. First there are the notorious sex pictures from his “Made in Heaven” […]
It’s all helixed into this: something fantastic, something disastrous. “Jeff Koons: A Retrospective” is upon us. One can’t think of the last 30 years in art without thinking of Koons, a lot. I’ve witnessed this career from very close range. I have seen him transform himself into the Koons hologram we know now; him polishing sculptures […]
Given that he’s a goliath figure in the art world whose output spans three decades, it may come as a surprise that Jeff Koons’s Whitney retrospective is the artist’s first major solo show at a New York museum. The exhibition offers 150 works dating back to 1978, giving visitors a comprehensive look at the former commodities trader’s ambitious and diverse artistic […]
A titanic presence in American postwar art, Jeff Koons is an icon whose popular fame, instantly recognizable sculptures, and consistent status as the most expensive living artist ensure that he will be remembered for a long, long time to come. And that’s not even considering their value as works of art, an appraisal that will have its […]
BASEL, Switzerland — Art Basel, the world’s pre-eminent fair devoted to modern and contemporary works, opened its doors to V.I.P.s on Tuesday. But by then plenty of business had already been done by many of the 285 exhibiting dealers. Hundreds of thousands of digital images had been emailed to collectors, advisers and curators, giving them […]
The lighting in this long and cavernous atelier is quite dim—the only light stems from a large lamp shining on the paintings of First Nations artist Shawn Hunt—emotive, beguiling fusions of dimension and colour. “What I’m trying to do is continue the long line of creating art that my people have done over the years,” […]
Midway through the Whitney Museum’s Jeff Koons retrospective, you come upon “Banality.” The series, unveiled in 1988 at three galleries concurrently (Sonnabend in New York, Donald Young in Chicago, and Max Hetzler in Cologne), made Koons the neo-Pop god that he is today. It consists of a series of man-sized kitsch figurines. “In my ‘Banality’ series I started […]
In “Selfie Poetics,” Andrew Durbin considers the recent rise of the selfie and poetics in the art world, rethinking how artist-poets self-image through language on the Internet. Against coherency, selfie poetics not only disrupt traditional notions of the poetic, they revise our definition of the self-portrait, too, reimagining our destabilized subjectivity as critically dependent on […]
Carl Andre is credited with changing the history of sculpture. Now nearly 80, Andre once scrounged industrial materials — timber, bricks, squares and ingots of metal — and arranged them on the floor. No pedestals, no joints and no altering of the surfaces. In 1970, the Guggenheim Museum in Manhattan gave the young artist a […]
Everything about the Jeff Koons retrospective at the Whitney Museum of American Art is over-the-top. That includes the press-conference-cum-love-in that opened Tuesday’s media preview, during which museum director Adam Weinberg whipped himself into a subdued but hyperbolic frenzy, rhapsodizing about how Koons’s artistic career had a partial genesis in a 1974 Jim Nutt exhibition Jeff saw, age […]
It’s hard to tell whether Wade Guyton is inadvertently steering the conversation away from his art and toward his market or whether the artist has simply fallen prey to the Barbra Streisand effect where the more one tries to deflect attention to an event, the greater the interest. By now we’re all familiar with Guyton’s […]
The week leading up to the press preview for the 8th Berlin Biennale for Contemporary Art marked a change of seasons. (Disclosure: Biennale curator Juan Gaitan is a friend, and participating artist Judy Radul is my partner.) Gone were the cold winds and grey skies of winter; in their place, golden mornings, tawny afternoons and […]
Controversial website ArtRank treats art like a commodity – tipping investors off about who’s hot and who’s toxic. Site founder Carlos Rivera talks bubbles, bonuses and backlashes. A few years ago, Carlos Rivera was a virtual unknown, even in the art circles where he earned his living. He was just another gallerist, running a West […]
NEW YORK, NY.- The Whitney Museum of American Art will debut the most comprehensive retrospective ever devoted to the groundbreaking art of Jeff Koons. This unprecedented exhibition will be the artist’s first large-scale museum presentation in New York and also the first time that a single artist’s work will fill nearly the entire Whitney Museum. […]
Sure, I thought the Art Basel fair was mostly a waste of time for true art lovers … even as I found plenty of fodder there for the Daily Pic. In this last item sourced from the fair, I give you a still from vintage footage of Dennis Oppenheim’s “Whirlpool (Eye of the Storm)”. Blake […]