Why Are Gagosian, Pace, and Zwirner Signing On for the Seattle Art Fair?

A triumvirate of the world’s biggest galleries—Gagosian, Pace, and David Zwirner—is headed to the Pacific Northwest this month for the debut Seattle Art Fair. Debut fairs are not always expected to be big sales events, dealers often say, but rather opportunities to start to build relationships with new clients. Goff’s expectations are higher than that. […]

A Fearful Frenzy: The Art Market Now

Life has been happier for many of us in the art world since we stopped caring about runaway commerce in art, which has seemed—but only seemed—to reduce all measures of aesthetic value to raw price. Sure, the billion-plus dollars shaken loose, since May, at three New York and London auctions of modern and contemporary works—with […]

40 Percent of World Gallery Art Sales Made at Fairs and Other Key Findings in the TEFAF Art Market Report 2015

The TEFAF Art Market Report, delivered by Dr. Clare McAndrew of Arts Economics, is considered the authority on data relating to auctions, art fairs, and market trends (see Clare McAndrew Explains How She Prepares the TEFAF Art Market Report). It’s presented in conjunction with the opening of the TEFAF art fair in Maastricht. Sales at […]

11 Art World Rules Decoded for 20-Something Newbies

For a newcomer, the art world can often feel like a social minefield, booby-trapped so that as soon as you start to make progress in establishing a name for yourself, you screw it up with a big-time blunder. Luckily, we’ve got you covered on how to navigate everything from an open bar to a Twitter […]

Year of record sales, but at what cost to the art?

Unease grows as it gets harder for artists to resist servicing a booming market The art market appeared to be in rude health as 2014 drew to a close. More money was spent on blue-chip and emerging art last year than at any other point in history, and the trade has been in rapid expansion […]

Year in review: six things you need to know about the art market

2014 has been a year of increasing disruption in the art market. While its vastly increased value over the past ten years (€47.4bn in 2013 compared to €18.6bn in 2003, according to the latest Tefaf report by Clare McAndrew) has inevitably brought change, 2014 has seen those changes magnified and evolving in directions that were not […]

Europe’s 10 Best Art Fairs in 2014

This year hasn’t even come to an end. Yet, intrepid gallerists and collectors are no doubt already pulling out their calendars to mark out the fair circuit for the year 2015. To help weed out the best from the rest, artnet News’ European editors sorted through the stacks of notes and reports from the year’s fairs […]

The Most-Read Articles of 2014 – Artnews

To meet the needs of the season, a list follows below of some of the most popular stories that ran on the ARTnews website in 2014, ranging from artist profiles and investigative stories to on-the-ground art-fair coverage and breaking news. They are divided by month, and presented in no particular order.  Lots here to read, to get ready for 2015.

The 20 Most Powerless People in the Art World: 2014 Edition

While other art publications sing the praises of the rich and powerful, we like to look at those who are largely overlooked (or worse, exploited) in order to understand the real state of the art world and its discontents. So, here you have our annual assessment of those below the most powerful. And yes, we’ve finally unhitched […]

Will Contemporary Art Sold Today Be of Any Value in 100 Years?

When sightings of Leonardo DiCaprio and Miley Cyrus (dressed as deranged vagabonds) at Art Basel in Miami cause a stir, one wonders what remains of the art world. Indeed it is tempting to think that the art world has been swallowed by the combined marketing and publicity machines of Hollywood and the fashion and music industries. Art is an […]

When Private Goes Public: Miami Collections Raise Ethical Questions

Art Basel Miami Beach is an ostentatious display of wealth and the wealthy. That this obvious fact is annually broached with dismay and shock by much of the art world is in no small part due to Art Basel itself, which, increasingly, insists on being similar in style to a biennial or large-scale exhibition, with […]

You Definitely Need to See This Work in Person’: Art Basel in Miami Beach

For weeks I’d been telling myself, and anyone who would listen, that I was going to skip the 2014 edition of Art Basel Miami Beach. It had been a busy fall. October’s Frieze London fair is at least on my home turf, but then there were whirlwind trips to Paris, for FIAC, and New York, for […]

A Plea to Art Basel: Leave Miami

As we close out our coverage of Art Basel, a small recommendation for next year’s fairs: Get the hell out of Miami. It may look nice, but not even those with helicopters can avoid the traffic jams, there are never enough cabs and the food and hotel costs are astronomical. People, this is bullshit. Time for […]

Have Art Fairs Destroyed Art? Zombie Abstraction and Dumb Painting Ruled in Miami?

“If no one ever looked at art, would anybody even create it? And how much does art actually need buyers.” Extremely reasonable questions put forth by the 2014 BMW Art Guide by Independent Collectors, these queries appeared especially intriguing during the latest iteration of Art Basel in Miami Beach (ABMB). A positively gilded affair that […]

‘Selling Like Hot Cakes’: NADA Opens in Miami Beach

The publicist said they had to open the doors to the NADA fair at the Deauville Beach Resort five minutes early because the crowd was that eager. Publicists are paid to say those kinds of things, but inside there was a veritable feeding frenzy that gave off the feeling of a Moroccan street market. The day’s […]

Your Concise Guide to the 2014 Miami Art Fairs

With the mercury dropping in the art world power centers of old, it’s time for the annual migration to Miami for Art Basel Miami Beach, its ever-expanding roster of satellite fairs and pop-up exhibitions, and the impossible schedule of parties and performances all week long (December 1–7, 2014). Great week, but getting a bit crazy…?!

Allen Jones, Royal Academy

A brilliant painter derailed by an unfortunate obsession. There’s no escaping it; Hat Stand, 1969, is a beastly object. The blank-faced mannequin is too literal to succeed as a sculpture, and the conceit is too nasty to be ignored. Her position – holding up her hands to receive our hats – recalls the torture meted […]

Why Artworks Are Like People

Ever since critic and theorist Walter Benjamin penned his landmark essay in 1936, it’s been accepted as a kind of common wisdom that the aura of the artwork has withered in the (never-ending) age of mechanical reproduction. But a new study suggests the aura hasn’t vanished entirely yet, and perhaps it never will. “Are Artworks More Like […]

The Mona Lisa Curse – Robert Hughes – Video

With his trademark style, Robert Hughes explores how museums, the production of art and the way we experience it have radically changed in the last 50 years, telling the story of the rise of contemporary art and looking back over a life spent talking and writing about the art he loves, and loathes. The video […]

Phillips Opens Massive New Flagship in London

Phillips announced the opening of a new auction house and exhibition space in the exclusive address of Berkeley Square, London, on Monday. The official opening will take place during October’s buzzing Frieze Art Fair week. The relocation is part of an ambitious plan to propel Phillip beyond its long-standing third-place position in the auctioneering game (“Ostrowski […]