Slideshow: The Jeff Koons Retrospective

Art is a “platform for the future,” Jeff Koons announced at yesterday’s press conference at the Whitney. What that means is anyone’s guess, but he followed that up by explaining that he’s 59 and hopes to be making art for at least another three decades. In short, while this may be his first New York […]

Shapes of an Extroverted Life ‘Jeff Koons: A Retrospective’ Opens at the Whitney

There are so many strange, disconcerting aspects to Jeff Koons, his art and his career that it is hard to quite know how to approach his first New York retrospective, the Whitney Museum of American Art’s largest survey devoted to a single artist. First there are the notorious sex pictures from his “Made in Heaven” […]

Taking in Jeff Koons, Creator and Destroyer of Worlds

It’s all helixed into this: something fantastic, something disastrous. “Jeff Koons: A Retrospective” is upon us. One can’t think of the last 30 years in art without thinking of Koons, a lot. I’ve witnessed this career from very close range. I have seen him transform himself into the Koons hologram we know now; him polishing sculptures […]

Material Boy: Jeff Koons at the Whitney

Given that he’s a goliath figure in the art world whose output spans three decades, it may come as a surprise that Jeff Koons’s Whitney retrospective is the artist’s first major solo show at a New York museum. The exhibition offers 150 works dating back to 1978, giving visitors a comprehensive look at the former commodities trader’s ambitious and diverse artistic […]

Whitney Curator Scott Rothkopf on How to Understand Jeff Koons’s Artistic Achievement

A titanic presence in American postwar art, Jeff Koons is an icon whose popular fame, instantly recognizable sculptures, and consistent status as the most expensive living artist ensure that he will be remembered for a long, long time to come. And that’s not even considering their value as works of art, an appraisal that will have its […]

Shawn Hunt, Conquering fear.

The lighting in this long and cavernous atelier is quite dim—the only light stems from a large lamp shining on the paintings of First Nations artist Shawn Hunt—emotive, beguiling fusions of dimension and colour. “What I’m trying to do is continue the long line of creating art that my people have done over the years,” […]

Jeff Koons as the Art World’s Great White Hope

Midway through the Whitney Museum’s Jeff Koons retrospective, you come upon “Banality.” The series, unveiled in 1988 at three galleries concurrently (Sonnabend in New York, Donald Young in Chicago, and Max Hetzler in Cologne), made Koons the neo-Pop god that he is today. It consists of a series of man-sized kitsch figurines. “In my ‘Banality’ series I started […]

SELFIE POETICS

In “Selfie Poetics,” Andrew Durbin considers the recent rise of the selfie and poetics in the art world, rethinking how artist-poets self-image through language on the Internet. Against coherency, selfie poetics not only disrupt traditional notions of the poetic, they revise our definition of the self-portrait, too, reimagining our destabilized subjectivity as critically dependent on […]

With Blocks And Bricks, A Minimalist Returns To The Gallery

Carl Andre is credited with changing the history of sculpture. Now nearly 80, Andre once scrounged industrial materials — timber, bricks, squares and ingots of metal — and arranged them on the floor. No pedestals, no joints and no altering of the surfaces. In 1970, the Guggenheim Museum in Manhattan gave the young artist a […]

All Aboard That “Great Koonsian Adventure”

Everything about the Jeff Koons retrospective at the Whitney Museum of American Art is over-the-top. That includes the press-conference-cum-love-in that opened Tuesday’s media preview, during which museum director Adam Weinberg whipped himself into a subdued but hyperbolic frenzy, rhapsodizing about how Koons’s artistic career had a partial genesis in a 1974 Jim Nutt exhibition Jeff saw, age […]

What’s With Wade Guyton and the Market, An Analysis

It’s hard to tell whether Wade Guyton is inadvertently steering the conversation away from his art and toward his market or whether the artist has simply fallen prey to the Barbra Streisand effect where the more one tries to deflect attention to an event, the greater the interest. By now we’re all familiar with Guyton’s […]

Whitney concludes Uptown exhibition programming with Jeff Koons

NEW YORK, NY.- The Whitney Museum of American Art will debut the most comprehensive retrospective ever devoted to the groundbreaking art of Jeff Koons. This unprecedented exhibition will be the artist’s first large-scale museum presentation in New York and also the first time that a single artist’s work will fill nearly the entire Whitney Museum. […]

Franz West review – his sculptures look like they’ve wandered in, up to no good

Showing the Austrian maverick at the temple to Britain’s greatest female sculptor reveals what a complex and joyous artist he was. If you stand among Barbara Hepworth‘s carved and rounded plaster and wood shapes at the Hepworth in Wakefield for long enough, you feel that time will wear a hole right through you. Hepworth’s art seemed to aim […]

Artists retain the element of surprise at Art Basel

A set of vividly coloured rollers wrapped in shiny metallic sheeting is stopping visitors in their tracks at Art Basel. The work, available with Daniel Blau (2.0/D3), seems to have come straight from the studio of Jeff Koons. ButUntitled (Mylar Sculpture I-III), 1969-70, is actually by the Pop Art master Andy Warhol, known for his […]

Pierre Soulages, Happy to Stay in the Dark

“What do you think about the future?,” Hans Ulrich Obrist asks French painterPierre Soulages in the catalogue for his current double exhibition at Dominique Lévy and Emmanuel Perrotin galleries. “It doesn’t belong to me,” he answers. That’s an astute assessment of the work, even if it is also part of the stubborn charm of his black paintings.

Now East meets West (at Art Basel)

Why there are more and more works by Asian artists at the fair, many of them on Western galleries’ stands. The VIPs who came to the opening of Art Basel yesterday found more works by Asian artists than ever before—and many have been strategically placed to capture the interest of collectors. Unlike previous editions of […]

Art Basel Kicks Off With a Big Bang of Serial Sales

BASEL, Switzerland — The 45th edition of Art Basel, Europe’s premier modern and contemporary art fair, opened to an elite group of art world players with a big bang of serial sales, indicating the continuing strength of the global art market. Sterling Ruby’s large-scale “BC (4805)” fabric, glue, paint, dyed canvas on panel abstraction from 2014 […]

Zombies on the Walls: Why Does So Much New Abstraction Look the Same?

For the past 150 years, pretty consistently, art movements moved in thrilling but unmysterious ways. They’d build on the inventions of several extraordinary artists or constellations of artists, gain followings, become what we call a movement or a school, influence everything around them, and then become diluted as they were taken up by more and […]

Five notable works at Douglas Coupland’s VAG exhibit

Douglas Coupland opens his new exhibit at the VAG. Douglas Coupland opens his new exhibit at the VAG. The Vancouver Art Gallery presents Douglas Coupland: everywhere is anywhere is anything is everything from May 31 to Sept. 1.