The Overwhelming Whiteness of Black Art

If you go to Kara Walker’s new exhibit, “A Subtlety,” at the Domino Sugar Factory in Brooklyn, a lot will overwhelm you. You’ll likely wait outside in a line that snakes down Kent Street, across from rowhouses that were once owned by Puerto Rican families and now fetch millions. You’ll sign a waiver absolving the […]

Jeff Koons, Kara Walker, and the Challenge of Public Art

As if his museum-filling Whitney retrospective weren’t enough, Jeff Koons currently has a massive sculpture on view at Rockefeller Center. “Split-Rocker,” presented by Gagosian Gallery and organized by the Public Art Fund and real estate developer Tishman Speyer, is comprised of two halves, one the recreated head of a toy pony rocker that belonged to his son, the […]

Use your imagineering: Ryan Gander’s art world of pranks and puzzles

Eyes in the wall, coins glued to the floor: Gander’s new show at Manchester Art Gallery is full of spoof and childish wonder – he’s having a laugh, but is it at our expense? The eyes swivel and follow me round the room, blinking with an echoing clack! Insouciant eyebrows are raised then furrow with […]

Odalisque like you’ve never seen her before – Shawn Hunt

When I first saw Odalisque at Artifake, I found it difficult to look at her. So rather than do that, I wandered off to look at the other works in the gallery as I thought about what so upset me about her. In part it was her gaze and her powerfully strong posture. But mostly it was […]

Critical Reduction: Jeff Koons at the Whitney

Can money buy critical immunity? It certainly seems so, judging by critics’ response to the Whitney Museum’s retrospective devoted to the most expensive living artist,Jeff Koons. In this week’s edition of Critical Reduction, we boil down eight critics’ takes on the shiny extravaganza, which, befitting of such a divisive artist, tend to be either vividly enthusiastic or vehemently dismissive. […]

The ABCs of Sol LeWitt’s Art

No one could blame you for expecting conceptual art to be cold, impenetrable, and impassive; nor for noticing that the genesis of conceptualism, which pared the artwork down to its most basic forms, only shortly preceded the general explosion of the art market in the West. Rising prices, ironically, seem to have coincided with diminishing forms. […]

President Vladimir Putin signs legislation banning swear words in art, films

MOSCOW (AFP).- A hugely controversial Russian law banning curse words in films, theatre, the media and arts came into force on Tuesday, part of a Kremlin-backed drive to play up traditional values and root out swearing. The legislation, wich was signed off by President Vladimir Putin in May, imposes hefty fines on offenders — up […]

Vladimir Putin Bans Cursing in Art

Vladimir Putin is telling artists and filmmakers to wash their mouths out with soap—or pay the price. A law that went into effect on Tuesday mandates that creatives whose work includes obscene language pay finesup to 2,500 rubles ($72) for individuals and up to 50,000 rubles ($1,460) for businesses, according to the AFP. Jeez, there goes a lot […]

Performance: do you buy it?

The public is warming to the medium, but collectors remain cool. While some visitors spent the first public day of Art Basel admiring multi-million-dollar paintings, others strayed from the main fair to watch a nude woman examine her body with a hand mirror and a war veteran stand silently in a corner. These performance works, […]

Manifesta 10 Succeeds Despite Controversy

Manifesta 10 opens at St. Petersburg’s State Hermitage Museum this Saturday. To some—likely the roaming art biennale’s curator, Kasper König, among them—that sole fact is accomplishment enough. Since König signed on to head up the exhibition, much has changed on the ground in Russia: a swath of anti-gay legislation and censorship, and the Kremlin’s growing expansionist tendencies with the annexation […]

“Jeff Koons: A Retrospective”

If I had to sum up American history in a word, I wouldn’t use racism,though obviously that’s a biggie. I’d pick hokum. I put it right up there withliberty, as in “life, liberty and the pursuit of happiness,” a passage which itself could be taken for hokum, written as it was by a man who owned slaves. However, I […]

Slideshow: The Jeff Koons Retrospective

Art is a “platform for the future,” Jeff Koons announced at yesterday’s press conference at the Whitney. What that means is anyone’s guess, but he followed that up by explaining that he’s 59 and hopes to be making art for at least another three decades. In short, while this may be his first New York […]

Shapes of an Extroverted Life ‘Jeff Koons: A Retrospective’ Opens at the Whitney

There are so many strange, disconcerting aspects to Jeff Koons, his art and his career that it is hard to quite know how to approach his first New York retrospective, the Whitney Museum of American Art’s largest survey devoted to a single artist. First there are the notorious sex pictures from his “Made in Heaven” […]

Jeff Koons as the Art World’s Great White Hope

Midway through the Whitney Museum’s Jeff Koons retrospective, you come upon “Banality.” The series, unveiled in 1988 at three galleries concurrently (Sonnabend in New York, Donald Young in Chicago, and Max Hetzler in Cologne), made Koons the neo-Pop god that he is today. It consists of a series of man-sized kitsch figurines. “In my ‘Banality’ series I started […]

SELFIE POETICS

In “Selfie Poetics,” Andrew Durbin considers the recent rise of the selfie and poetics in the art world, rethinking how artist-poets self-image through language on the Internet. Against coherency, selfie poetics not only disrupt traditional notions of the poetic, they revise our definition of the self-portrait, too, reimagining our destabilized subjectivity as critically dependent on […]

With Blocks And Bricks, A Minimalist Returns To The Gallery

Carl Andre is credited with changing the history of sculpture. Now nearly 80, Andre once scrounged industrial materials — timber, bricks, squares and ingots of metal — and arranged them on the floor. No pedestals, no joints and no altering of the surfaces. In 1970, the Guggenheim Museum in Manhattan gave the young artist a […]

Berlin Biennale Tells Tales Old and New

The week leading up to the press preview for the 8th Berlin Biennale for Contemporary Art marked a change of seasons. (Disclosure: Biennale curator Juan Gaitan is a friend, and participating artist Judy Radul is my partner.) Gone were the cold winds and grey skies of winter; in their place, golden mornings, tawny afternoons and […]

Daily Pic: Dennis Oppenheim’s Evanescent Take on Land Art

Sure, I thought the Art Basel fair was mostly a waste of time for true art lovers … even as I found plenty of fodder there for the Daily Pic. In this last item sourced from the fair, I give you a still from vintage footage of Dennis Oppenheim’s “Whirlpool (Eye of the Storm)”. Blake […]

Franz West review – his sculptures look like they’ve wandered in, up to no good

Showing the Austrian maverick at the temple to Britain’s greatest female sculptor reveals what a complex and joyous artist he was. If you stand among Barbara Hepworth‘s carved and rounded plaster and wood shapes at the Hepworth in Wakefield for long enough, you feel that time will wear a hole right through you. Hepworth’s art seemed to aim […]