Ai Weiwei’s Tree (2009–10) stands a towering five metres in height, and spans the same distance at its upper reaches. A commanding yet enchanting presence in Gallery B105, Tree is flanked to the west by the late Sol LeWitt’s experiment with colour and asymmetry, Wall Drawing No. 623 Double asymmetrical pyramids with colour ink washes […]
Tate Modern’s retrospective of Mona Hatoum spans the artist’s 35-year career, and she has made a lot of art. Hatoum’s works mine geopolitics, gender, art history, and her own past to reveal a world that is frightening and complex. Hatoum’s practice is layered and asks for contemplation. By abstracting the everyday, objects are made distressing, […]
New York art show The Keeper celebrates our poetic obsession with objects, but how many of us simply surround ourselves with familiar, reassuring rubbish? The exhibition and these reactions suggest a new chapter in the history of collecting. The psychology of the collector seems more traumatised, anxious and defensive. The type of collecting the New […]
Susan Philipsz and John Cage have shown that the genre has claims to greatness, but two works in Edinburgh betray the emptiness of much sound art. Let’s get this straight, sound art buffs: of course art can be made with sound. It can be made with anything. The first masterpiece of sound art is Marcel […]
A conceptual artist devises an ingenious plan for negotiating access to a hidden archive. Last September, in Guadalajara, an American conceptual artist named Jill Magid and a pair of gravediggers convened at the Rotonda de los Jaliscienses Ilustres, a monument where the most celebrated citizens of the state of Jalisco are entombed. With them were two […]
Great art museums need great art. That should go without saying, but the new Tate Modern is so architecturally exhilarating that I started to wonder: perhaps you really can have a museum where it doesn’t matter much what’s in it because the experience of walking around is so enjoyable and cool. I love the Switch […]
Artists, architects and curators tell us about the spaces they love—and hate. What makes a museum building successful? Until the arrival of Frank Gehry’s Guggenheim in Bilbao in 1997, this question might have been almost exclusively focused on the best environments in which to view art. But the Guggenheim’s phenomenal success, which allowed the Basque […]
The haunting work titled CHILD goes on show in New York after two decades away from the public eye. Conservators at the Museum of Modern Art (MoMA) in New York have done the seemingly impossible: they have brought Bruce Conner’s CHILD (1959-60), a haunting sculpture of a gas chamber execution, back from the dead ahead […]
Not much happens on time in London, let alone early. Switch House, the bold new Tate Modern extension opening on June 17, was originally planned for the end of next decade… ish. But five years after Herzog & de Meuron converted the Bankside Power Station, in 2000, visitor numbers had outpaced predictions by millions. According […]
Jacques Herzog, the more talkative half of the pair of boyhood friends who founded the architectural practice Herzog & De Meuron, is worried about the world. “The things based on the five senses that we like so much, all these values – that we treat people well. They are in danger. There is such a […]