As a business model, the art gallery occupies a unique position. Functioning as the bridge between art’s existence as a commercial enterprise and its role as a philosophical pursuit, a gallery, unlike other businesses, has a measure of success that is completely divorced from its financial earnings: by championing important artists, and putting on daring […]
As if his museum-filling Whitney retrospective weren’t enough, Jeff Koons currently has a massive sculpture on view at Rockefeller Center. “Split-Rocker,” presented by Gagosian Gallery and organized by the Public Art Fund and real estate developer Tishman Speyer, is comprised of two halves, one the recreated head of a toy pony rocker that belonged to his son, the […]
Eyes in the wall, coins glued to the floor: Gander’s new show at Manchester Art Gallery is full of spoof and childish wonder – he’s having a laugh, but is it at our expense? The eyes swivel and follow me round the room, blinking with an echoing clack! Insouciant eyebrows are raised then furrow with […]
When I first saw Odalisque at Artifake, I found it difficult to look at her. So rather than do that, I wandered off to look at the other works in the gallery as I thought about what so upset me about her. In part it was her gaze and her powerfully strong posture. But mostly it was […]
Can money buy critical immunity? It certainly seems so, judging by critics’ response to the Whitney Museum’s retrospective devoted to the most expensive living artist,Jeff Koons. In this week’s edition of Critical Reduction, we boil down eight critics’ takes on the shiny extravaganza, which, befitting of such a divisive artist, tend to be either vividly enthusiastic or vehemently dismissive. […]
Art Basel and the London summer auctions are behind us, and the auction market continues to hit unprecedented peaks. But today’s records and art stars came straight out of yesterday’s headline-grabbing auctions. With that in mind, we take a look back at some major milestones of the last few decades—from the 1973 sale that arguably […]
No one could blame you for expecting conceptual art to be cold, impenetrable, and impassive; nor for noticing that the genesis of conceptualism, which pared the artwork down to its most basic forms, only shortly preceded the general explosion of the art market in the West. Rising prices, ironically, seem to have coincided with diminishing forms. […]
MOSCOW (AFP).- A hugely controversial Russian law banning curse words in films, theatre, the media and arts came into force on Tuesday, part of a Kremlin-backed drive to play up traditional values and root out swearing. The legislation, wich was signed off by President Vladimir Putin in May, imposes hefty fines on offenders — up […]
Vladimir Putin is telling artists and filmmakers to wash their mouths out with soap—or pay the price. A law that went into effect on Tuesday mandates that creatives whose work includes obscene language pay finesup to 2,500 rubles ($72) for individuals and up to 50,000 rubles ($1,460) for businesses, according to the AFP. Jeez, there goes a lot […]
The public is warming to the medium, but collectors remain cool. While some visitors spent the first public day of Art Basel admiring multi-million-dollar paintings, others strayed from the main fair to watch a nude woman examine her body with a hand mirror and a war veteran stand silently in a corner. These performance works, […]
Manifesta 10 opens at St. Petersburg’s State Hermitage Museum this Saturday. To some—likely the roaming art biennale’s curator, Kasper König, among them—that sole fact is accomplishment enough. Since König signed on to head up the exhibition, much has changed on the ground in Russia: a swath of anti-gay legislation and censorship, and the Kremlin’s growing expansionist tendencies with the annexation […]
If I had to sum up American history in a word, I wouldn’t use racism,though obviously that’s a biggie. I’d pick hokum. I put it right up there withliberty, as in “life, liberty and the pursuit of happiness,” a passage which itself could be taken for hokum, written as it was by a man who owned slaves. However, I […]
Art is a “platform for the future,” Jeff Koons announced at yesterday’s press conference at the Whitney. What that means is anyone’s guess, but he followed that up by explaining that he’s 59 and hopes to be making art for at least another three decades. In short, while this may be his first New York […]
There are so many strange, disconcerting aspects to Jeff Koons, his art and his career that it is hard to quite know how to approach his first New York retrospective, the Whitney Museum of American Art’s largest survey devoted to a single artist. First there are the notorious sex pictures from his “Made in Heaven” […]
It’s all helixed into this: something fantastic, something disastrous. “Jeff Koons: A Retrospective” is upon us. One can’t think of the last 30 years in art without thinking of Koons, a lot. I’ve witnessed this career from very close range. I have seen him transform himself into the Koons hologram we know now; him polishing sculptures […]
Given that he’s a goliath figure in the art world whose output spans three decades, it may come as a surprise that Jeff Koons’s Whitney retrospective is the artist’s first major solo show at a New York museum. The exhibition offers 150 works dating back to 1978, giving visitors a comprehensive look at the former commodities trader’s ambitious and diverse artistic […]
A titanic presence in American postwar art, Jeff Koons is an icon whose popular fame, instantly recognizable sculptures, and consistent status as the most expensive living artist ensure that he will be remembered for a long, long time to come. And that’s not even considering their value as works of art, an appraisal that will have its […]
BASEL, Switzerland — Art Basel, the world’s pre-eminent fair devoted to modern and contemporary works, opened its doors to V.I.P.s on Tuesday. But by then plenty of business had already been done by many of the 285 exhibiting dealers. Hundreds of thousands of digital images had been emailed to collectors, advisers and curators, giving them […]
The lighting in this long and cavernous atelier is quite dim—the only light stems from a large lamp shining on the paintings of First Nations artist Shawn Hunt—emotive, beguiling fusions of dimension and colour. “What I’m trying to do is continue the long line of creating art that my people have done over the years,” […]
Midway through the Whitney Museum’s Jeff Koons retrospective, you come upon “Banality.” The series, unveiled in 1988 at three galleries concurrently (Sonnabend in New York, Donald Young in Chicago, and Max Hetzler in Cologne), made Koons the neo-Pop god that he is today. It consists of a series of man-sized kitsch figurines. “In my ‘Banality’ series I started […]